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The Caduceus – Myth and Symbolism

The Caduceus - Myth and Symbolism

The Caduceus is a powerful and iconic symbol, recognized worldwide for its association with medicine and healing. With its intertwined serpents and wings atop a staff, the Caduceus has a rich history dating back to ancient civilizations, particularly in the Mediterranean region.

However, the symbolism and interpretation of the Caduceus are multifaceted, often leading to misconceptions. This essay delves into the history and diverse interpretations of the Caduceus, exploring its significance in the domains of health, commerce, symbolism and mythology.

The Caduceus finds its roots in ancient Greece, where it was associated with the god Hermes, known as Mercury in Roman mythology. Hermes was a deity of multifaceted talents, embodying attributes of communication, commerce, and healing. The Caduceus was his divine symbol, a staff entwined with two serpents and adorned with wings.

In Greek mythology, the staff symbolized Hermes’ role as a messenger between the divine and mortal realms. The serpents, often interpreted as symbols of rejuvenation and transformation, signify the dual nature of life and death. The wings on the staff symbolize swiftness, perhaps representing the rapidity with which messages could travel between realms. Hermes’ Caduceus was also associated with diplomacy, making it an emblem of peaceful resolution and compromise.

The Latin Caduceus, comes from Greek kērū́keion, meaning “herald’s wand, or staff”, itself derived from kêrux, meaning “messenger, herald, envoy”.

According to the legend, Hermes or Mercury, wanted to stop a fight between two snakes, and so he threw his rod at them. Originally, the Caduceus was represented as an olive branch with garlands or ribbons, but it was later interpreted as a rod with two snakes and a pair of wings as a representation of Hermes’ speed.

Both Hermes and Mercury are identified as messengers of Gods.

Mercury is considered the god of messengers, merchants and travelers. It is also the patron and protector of thieves and outlaws. As such, the Caduceus symbol is ALSO linked to these negative characters.

Neither god has anything to do with medicine, so their figure is not a desirable protector of physicians, despite its ancient and consistent positive associations with eloquence, negotiation, alchemy, and wisdom.

Early use in a possible medical context

Before the ancient Romans and Greeks, older representations from Syria and India of sticks and animals looking like serpents or worms are interpreted by some as a direct representation of traditional treatment of dracunculiasis, the Guinea worm disease.

Dracunculus medinensis (“little dragon from Medina”) was described in Egypt as early as the 15th century BCE and possibly was the “fiery serpent” afflicting the Israelites described in the Bible. Because of their impatience with eating manna in the desert, they were punished by God with the bite of poisonous snakes.

In the Bible, the serpent possessed a double valence, an ambiguous aspect between the symbolic values of life and death, fruitfulness and temptation.

Moses had a staff with a twisted bronze serpent endowed with such powers that it could restore life to the dying. It worked as a mediator that saved from evil and danger, restoring life to those about to lose it.

While there is ample historical evidence of the use of the Caduceus to represent Hermes or Mercury (and by extension commerce and negotiation), early evidence of any symbolic association between the Caduceus and medicine, or medical practice, is scarce and ambiguous.

This concept is likely linked to the alchemical “universal solvent”, Azoth, the symbol of which was the Caduceus.

Early association of the Caduceus with medicine might have derived from the association of Hermes Trismegistus (“Thrice-Great Hermes”) with early chemistry and medicine, as aspects of alchemy as an esoteric practice.

The same staff was used by other heralds like Iris, the messenger of Hera. It was entwined by two serpents, sometimes surmounted by wings. In Roman iconography, it was depicted being carried in the left hand of Mercury, the messenger of the Gods.

The Caduceus became a symbol of alchemy and pharmacy in medieval Europe.

Its first appearance as a medical symbol can be traced back to 1st to 4th century Common Era in oculists’ stamps that were found mostly in Celtic areas, such as Gaul, Germany and Britain. It had an engraving of the name of the physician, the name of the special medicine or medical formula, and the disease for which the medicine was to be used.

Medieval alchemy used the Caduceus to represent preparations containing quicksilver, later known as mercury.

Quicksilver, named mercurius philosophorum was believed to be the basis of all substances, and this element has been represented by the Caduceus for many centuries. Medieval alchemists found parallels in the course of the soul through the unknown on its way to enlightenment, and the path from unknown illnesses back to health and life.

In the Middle Ages the velvet-covered, flowered staff that was carried by heralds and kings of arms, was called a Caduceus. The Caduceus’ general meaning of peace is reinforced by the symbolism of its individual elements: power for the staff, concord for the serpents, and solicitude for the wings.

In heraldry the Caduceus can symbolize peace, communal happiness, fame and eloquence. It was often assumed in the coat of arms by those who had entered into a truce or peace.

In Rome, the caduceator was one who negotiated peace arrangements under the diplomatic protection of the caduceus he carried.

The Caduceus is also a symbol of printing, by extension of the attributes of Mercury associated with writing and eloquence. Based on the medieval European use of the Caduceus to signify pharmacy, a Bavarian printer used it in his medical manuscripts from 1486 CE.

The personal physician to Henry the VIII, was the first physician to adopt it as his emblem.

The rod of Asclepius, in use since the 5th century CE, resurfaced in 1544 CE. A publication of the medical writings of Avicenna, a Persian physician, had it at the frontispiece.

The Caduceus also appears in a general medical context with Swiss medical printer Johann Frobenius (1460–1527), who depicted a staff entwined with serpents and surmounted by a dove, with a biblical epigraph in Greek, “Be ye therefore wise as serpents and harmless as doves” (Matthew 10:16).

In Great Britain, as late as 1854, the distinction between the rod of Asclepius and the Caduceus as symbols of two very different professions was apparently still quite clear.

Among the very old symbols still used in London at that time, which were based on associations between pagan gods and professions, we find Mercury, or his caduceus, indicating expedition and trade. Esculapius, his Serpent and staff, for professions of the healing arts. Beginning with the 16th century there is limited evidence of the use of the Caduceus in a medical context.

The name of the god Mercury cannot be disassociated from the word merx, which means merchandise. Such was the sentiment of the ancients. His Latin name was apparently derived from merx or mercator, a merchant.

The Homeric hymn to Hermes relates how his half-brother Apollo was enchanted by Hermes’s music from his lyre fashioned from a tortoise shell, which Hermes kindly gave to him. Apollo in return gave Hermes the Caduceus, a golden wand, “a splendid staff of riches and wealth”, as a gesture of friendship in a settlement over a dispute.

A scholar noted that the Hymn to Hermes concludes with “the negotiation which transforms a relation of incompatibility into a contracted alliance.”

The poem describes at some length Hermes’ capacity for manipulating the material world as well as the perceptions and emotions of its inhabitants.

The association with the serpent thus connects Hermes to Apollo, as later the serpent was associated with Asclepius, the “son of Apollo”.

In both stories, the rod plays an important role in settling the dispute between the two snakes in the myth, and between Hermes and Apollo in the hymn. The Caduceus thus became the sign of concord and peace; its ability to bring order and peace is one of its main features.

Hermes is, perhaps, above all else, the patron of commerce and of the fat purse: he was the special protector of traveling salesmen. As such, he was revered by merchants embarking on uncertain commercial ventures abroad. Hermes was“the primordial mediator,” who, perhaps, could always find clever ways of reaching the middle ground—a consensus—between opposing points of view because he was a schemer.

His wily ways and “luck-bringing genius” made him the patron of swindlers and thieves, and “a patron of good fortune, unexpected piece of luck, lot and dice.”

The intertwining serpents may thus symbolize both the double-sided nature of business transactions and the balance required in commerce. Furthermore, the wings on the Caduceus signify speed and agility in trade, emphasizing the importance of communication and quick exchange in economic activities.

The fact that Hermes is also the patron of thieves, swindlers and golden opportunity, establishes an inherent and intrinsic relationship between the market, double-dealing, and commercial success. Market is a word that derives from Hermes’ Roman equivalent Mercury.

The association of Apollo with the serpent is a continuation of the older Indo – European dragon-slayer motif.

The serpent may be an attribute of both Hermes and Asclepius AND a variant of the “pre-historic semi-chthonic serpent hero” known at Delphi as Python, who in classical mythology is slain by Apollo.

The Caduceus with two serpents also indicates the power to reconcile opposites, creating harmony between different elements, such as water, fire, earth and air. This is why it recurs frequently in alchemy, as an indication of the synthesis of sulfur and mercury, as well as in the symbolism of pharmacopoeia and physical healing.

A staff similar to the Caduceus was displayed by heralds and ambassadors as a symbol of their mediating function and as an emblem of their inviolability, and it also had a moral significance, as it represented honest conduct and at the same time a person’s physical health.

As mentioned before, the staff had ALSO been emblematic of Hermes Trismegistus, progenitor of the Egyptian art of magic, and represented the synthesis of universal knowledge: from religion, medicine, morality, philosophy, to science and mathematics.

In Egyptian iconography, the Djed pillar is depicted as containing a snake, in a frieze of the Dendera Temple Complex.

Thus, through its use in astrology, alchemy, and astronomy it has come to denote the planet Mercury and by extension its planetary metal. It is said that the wand would wake the sleeping and send the awake to sleep. If applied to the dying, their death was gentle; if applied to the dead, they returned to life.

In some ancient vase paintings, depictions of the Greek kerukeion are somewhat different from the commonly seen modern representations. These, feature the two snakes atop the staff (or rod), crossed to create a circle with the heads of the snakes resembling horns. This old graphic form, with an additional crossbar to the staff, seems to have provided the basis for the graphical Sign of Mercury (☿) used in Greek astrology from Late Antiquity.

Symbols similar to the classical Caduceus, sometimes appeared on Mesopotamian cylinder seals. Some accounts assert that the oldest imagery is found with the Sumerian god Ningishzida. His symbol, a staff with two snakes intertwined around it, dates back to 4000 to 3000 BCE.

From this perspective, the Caduceus was originally representative of Hermes himself, in his early form as the Underworld god, “messenger” of the “Earth Mother”, an “Oriental deity of Babylonian extraction”, represented in his earliest form as a snake god.

The Caduceus also appears as a symbol on some coins of the Maurya empire in India, in the 3rd or 2nd century BCE. Numismatic research suggests that it was the symbol of the Buddhist king Ashoka.

SYMBOLISM

The modern use of the Caduceus as a symbol of medicine became established in the United States in the late 19th and early 20th century, as a result of well-documented mistakes and misunderstandings of symbology and classical culture.

Critics say the correct symbol for medicine is the Rod of Asclepius, which has only one snake and no wings. It has represented medicine since 800 BCE and most authorities support its use as the symbol of medicine.

These symbols are often thought to have the following meanings:

Commerce and Trade

The Caduceus is inherently a symbol of commerce and trade, aligning perfectly with Hermes’ role as the patron of merchants and travelers. In this context, the intertwining serpents are often seen as a representation of duality, signifying both the buyer and the seller, the giver and the taker, or profit and loss. This duality underscores the essential balance required in economic transactions.

In a world where global commerce relies on fast information exchange, the Caduceus is a symbol of expeditious, borderless trade, mirroring the contemporary interconnectedness of the global economy.

Contemporary Usage

Today, the Caduceus is still employed in various fields. In medicine, it continues to be mistakenly used as a symbol of health and healing in certain contexts, though the Rod of Asclepius is a more accurate choice for this purpose. In the realm of commerce, financial institutions, banks, and other businesses, use the Caduceus to symbolize their commitment to efficient, swift, and secure transactions.

Esoteric symbolism of the Caduceus

The esoteric symbolism of the Caduceus, often associated with spiritual and metaphysical interpretations, offers a deeper and more mystical perspective on this ancient symbol. Let’s delve into its hidden meanings.

Kundalini and Spiritual Awakening

The intertwining serpents on the Caduceus are often seen as a representation of the Kundalini energy. It’s a powerful, latent spiritual force believed to reside at the base of the spine. The upward coiling of the serpents symbolizes the awakening of this energy, which rises through the chakras, leading to spiritual enlightenment and higher consciousness. The two serpents also represent the two channels on the left and the right side of the spine, Ida and Pingala, and the rod representing the Susumna.

Unity of Opposites

The Caduceus can be interpreted as a symbol of the unity of opposites or dualities, a common theme in esoteric and alchemical teachings. The two serpents, often seen as opposing forces or polarities, are brought together in harmony on the staff. This represents the balance and union of opposing forces within the self, a crucial step on the path to spiritual growth and self-realization.

Transmutation and Esoteric Healing

In alchemical and esoteric traditions, the serpent is often associated with transformation and healing. The Caduceus, with its serpents, can be seen as a symbol of the transformative journey of the soul, where inner healing and purification lead to metaphysical ascension and enlightenment.

Divine Communication

The Caduceus can represent the communication between the conscious and subconscious mind. Hermes was a divine messenger, bridging the gap between the earthly and the divine. The Caduceus can represent the potential for divine communication and revelation.

These esoteric interpretations of the Caduceus emphasize its significance in inner transformation, mystical evolution, and the quest for higher consciousness. While it’s widely recognized for its more conventional associations, it also carries a hidden layer of symbolism that aligns with the esoteric and metaphysical traditions of various cultures throughout history.

In astronomy, astrology, and alchemy, the Caduceus is believed to have the following symbolism:

In the 16th century, the study of alchemy included metals, chemistry, and medicine. The practitioners of the Hermetic arts and alchemists believed that the Caduceus symbolized the four elements: the wings for the air, the movement of serpents for the water, the snakes for the fire, and the rod for the earth.

It also shows the physical and spiritual connection between masculine and feminine forces, and also represents the concept of yin and yang.

According to Theosophy it may represent the following:

Metaphysically, the Caduceus represents the fall of primordial matter into gross terrestrial matter, the one Reality becoming Illusion.

Astronomically, the head and tail represent the points of the ecliptic where the planets and the sun and moon meet in close embrace.

Physiologically, it’s the symbol of the restoration of the equilibrium lost between Life, as a unit, and the currents of life performing various functions in the human body”.

Its metaphysical meaning is further elaborated in Hindu teachings, where the trunk of the ASVATTHA (the tree of Life and Being, the ROD of the Caduceus) grows from and descends at every Beginning (every new manvantara) from the two dark wings of the Swan (hansa) of Life.

The two Serpents, the ever-living and its illusion (Spirit and matter) whose two heads grow from the one head between the wings, descend along the trunk, interlaced in close embrace. The two tails join on Earth (the manifested Universe) into one, and this is the great illusion, or MAYA.

Difference between the Caduceus and the Rod of Asclepius

The Caduceus and the Rod of Asclepius are two distinct symbols with different origins and associations, particularly in the realm of medicine.

Here are the key differences between them:

Origin and Mythology

Caduceus

The caduceus has its origins in Greek and Roman mythology, where it was associated with the gods Hermes and Mercury. Hermes was a multifaceted deity known for his role as a messenger of the gods, and his attributes related to commerce, communication, and diplomacy.

Rod of Asclepius

The Rod of Asclepius is directly connected to the Greek god Asclepius, who was revered as the god of medicine and healing. Asclepius was known for his ability to restore health and his association with the art of medicine.

Symbols and Depictions

Caduceus

The Caduceus is typically depicted as a staff or rod with two serpents coiled around it, often with wings attached at the top of the staff. This, symbolizes Hermes’ role as a messenger and reflects themes of balance and communication.

Rod of Asclepius

The Rod of Asclepius features a single serpent (sometimes depicted as a snake) coiled around a staff or rod, without the wings. It represents healing, medicine, and the medical profession.

Association with Medicine

Caduceus

The Caduceus is not traditionally associated with medicine in its original symbolism. However, due to historical misunderstandings and mix-ups, it has been erroneously adopted as a medical symbol in some contexts, particularly in the United States.

Rod of Asclepius

The Rod of Asclepius is the true and ancient symbol of medicine, reflecting the healing arts and the medical profession. It is internationally recognized as a symbol of health and healing.

Contemporary Usage

Caduceus

The Caduceus is often used in non-medical contexts, such as in the field of commerce, finance, and various commercial organizations. It is sometimes used on medical-related materials, but its use in medicine is considered a misinterpretation. Still, it can be seen on hospital coats, uniforms, brooches, and pins. Sometimes, it’s used as a symbol of identification for healthcare workers, with their initials incorporated into the symbol, as well as the indication of their role as doctors, nurses, or emergency medical technicians. Given that the Caduceus is primarily a symbol of commerce and other non-medical symbology, many healthcare professionals disapprove of this use.

Rod of Asclepius

The Rod of Asclepius remains the primary and accurate symbol for the medical profession and healthcare. It is commonly seen on medical badges, healthcare facilities, and other medical-related materials to symbolize healing and medicine.

In summary, while the Caduceus and the Rod of Asclepius both have historical significance and symbolism, the key distinction lies in their origins and associations.

Lesser known representations and symbols of the Caduceus

Sacred Geometry

The Caduceus, when examined closely, reveals elements of sacred geometry. The intertwining of the two serpents can be seen as representing the caduceus-like pattern found in the DNA double helix, suggesting a connection between the symbol and the fundamental structure of life.

Hermetic Tradition and Healing Arts

In Hermeticism, the symbol is seen as an emblem of transformation and spiritual enlightenment, reflecting the concept of “As above, so below,” emphasizing the interconnectedness of the spiritual and material realms.

In Hermetic healing traditions, the Caduceus is used to represent a holistic approach to health and well-being, emphasizing the unity of mind, body and spirit. It serves as a reminder that true healing goes beyond physical remedies and incorporates the balance of all aspects of a person’s being.

Psychological Symbolism, Psychotherapy and Integration

In the field of psychology, the Caduceus has been interpreted as a symbol of inner healing and transformation. The serpents coiling around the staff can represent the integration and balance of the conscious and unconscious mind, leading to personal growth and self-realization.

In the realm of psychotherapy, the Caduceus can symbolize the process of psychological integration, where conflicting or opposing aspects of the self are reconciled and harmonized to promote mental and emotional health.

Duality and Polarity

The Caduceus often represents the reconciliation of opposites or dualities. The serpents, which can be interpreted as masculine and feminine energies, life and death, or light and darkness, signify the harmonious union of these opposing forces, creating a state of balance and wholeness.

Healing Beyond Medicine and Mercury

The Caduceus can also represent mental and emotional healing, highlighting the importance of balancing and harmonizing the mind and spirit for overall well-being. In ancient times, effective communication was seen as a form of healing, especially when delivering important news, which may have contributed to its association with medicine.

Egyptian Influence

Some scholars believe that the Caduceus may have been influenced by ancient Egyptian symbols, particularly the uraeus, a cobra symbol often depicted on the headdresses of pharaohs. The uraeus was associated with divine protection and power, which could have contributed to the Caduceus’ symbolism of divine communication and protection.

Cosmic Harmony

Some interpretations suggest that the Caduceus symbolizes the harmony and balance of cosmic forces, reflecting the interconnectedness of all things in the universe. The staff represents the axis of the world, and the serpents illustrate the cosmic forces that flow through and around it.

Rejuvenation and Vitality

The Caduceus can be seen as a symbol of rejuvenation and the restoration of vitality. The serpents are often associated with renewal and the shedding of old, worn-out skin, symbolizing the potential for personal transformation and renewal.

Meditation and Inner Exploration

In some esoteric practices, the Caduceus is employed as a meditation tool. Meditating on the symbol is believed to help individuals explore their inner world, achieve balance, and unlock hidden wisdom within.

Economic Transactions

The Caduceus is not only associated with the god Hermes but also with commerce and trade. In addition to representing balance and diplomacy, it symbolizes the efficiency of communication in commercial transactions, making it an emblem for business and finance.

In conclusion, the Caduceus is a multifaceted symbol that carries a rich tapestry of meanings. It is a symbol of great depth and significance, encompassing a wide range of interpretations, from practical and alchemical transformations to mental and emotional healing.

Its connections to various cultures, esoteric practices, and holistic approaches to well-being, reveal the enduring relevance and adaptability of this ancient emblem.

Its historical roots in Greek and Roman mythology, its misunderstood association with medicine, and its enduring significance in the world of commerce, make it a symbol that continues to intrigue and provoke thought.

Understanding the multifaceted nature of the Caduceus is essential to appreciate its historical significance and the varying roles it plays in different aspects of human life.

Another thing to note is that the meanings of symbols are dynamic, changing with the times. They acquire new meanings and lose association with some meanings with the passage of time. At the end of the day, the meaning of a symbol is what is given to it.

Whether used in medicine or commerce, the Caduceus remains a symbol of balance, communication, and the duality of life and death, connecting the ancient past to the complexities of the modern world.

The Caduceus’s enduring legacy is a testament to its timeless relevance in various facets of human life, from diplomacy and healing to communication and trade.

What do you think the Caduceus represents?

Let us know in the comments below and share with anyone who might be interested in the lesser-known stories and ideas of our world and beyond!


Video version and more Content here:

The Caduceus – Myth and Symbolism

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Interesting sources, additional info and other points of views:

https://www.newworldencyclopedia.org/entry/Caduceus

https://symbolsage.com/caduceus-symbol-meaning/

https://www.florenceinferno.com/rod-of-asclepius-and-caduceus-symbols/

https://www.theosophy.world/encyclopedia/caduceus

https://it.wikipedia.org/wiki/Caduceo

https://geographiesoffreedom.wordpress.com/2018/10/23/ancient-freedom/

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4439707/

https://www.intramundi.it/caduceo-il-significato-occulto/

https://en.wikipedia.org/wiki/Caduceus_as_a_symbol_of_medicine


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English: Jean-Baptiste Tuby (1635-1700) after a drawing by Charles Le Brun (1619–1690)Français : Jean-Baptiste Tuby (1635-1700) d’après un dessin de Charles Le Brun (1619–1690)Русский: Жан-Батист Тюби (1635-1700) с рисунка Шарля Лебрёна (1619–1690)Crochet.david, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons

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Living a Better Life Through Alchemy: Unlocking the Secrets to Personal Transformation

Alchemy, often associated with the mystical quest to transform base metals into gold, has a deeper, more profound purpose that extends beyond mere material wealth. Alchemy was, and is, at the same time practical, symbolic and psychological and one does not exclude the others. Anyone who approaches Alchemy have their own reasons and personal belief systems that may or may not interfere with their visions and real representation of the subject. Truth, although objective in theory, is often subjective in practice, meaning, we all DECIDE what to believe.

Alchemy’s true essence is the pursuit of personal transformation and enlightenment, together with the transmutation of metal in its practical and traditional aspect.

While the alchemy of old may have been shrouded in secrecy and mysticism, its principles can be adapted to contemporary life to help individuals lead more fulfilling, purpose-driven lives.

In this exploration, we will delve into how the principles of Alchemy can guide us towards a better life, emphasizing self-improvement, inner growth, and the pursuit of our highest potential.

Alchemy, as a tradition, revolves around three core stages of transformation: the Nigredo (Blackening), the Albedo (Whitening), and the Rubedo (Reddening).

a. Nigredo (Blackening): The Beginning

b. Albedo (Whitening): The Middle

c. Rubedo (Reddening): The End

In Alchemy, the Philosopher’s Stone is the ultimate goal—a substance believed to transmute base metals into gold and grant immortality. In a metaphorical sense, the Philosopher’s Stone usually represents the attainment of inner wisdom and enlightenment.

Here’s how we can apply this concept to our lives:

a. Self-Discovery: Seek to understand your true self, your values, and your purpose in life. This self-awareness is the foundation upon which personal transformation is built. Know thyself, NOSCE TE IPSUM, in Latin.

b. Transmutation of the Mind: Just as Alchemy transforms base metals into gold, we can transform our negative thoughts into positive ones. Embrace a growth mindset, practice gratitude, and cultivate optimism.

c. The Elixir of Life: Alchemists sought a substance called the Elixir of Life for physical immortality. This can be viewed as the pursuit of a healthy lifestyle, longevity, REAL immortality and a balanced existence.

Hermeticism, a philosophical tradition closely related to Alchemy, provides valuable principles for living a better life:

a. The Principle of Mentalism: Understand the power of your thoughts and beliefs. Your mind shapes your reality.

b. The Principle of Correspondence: Recognize the interconnectedness of all things. What happens within you is reflected in your external experiences.

c. The Principle of Vibration: Be mindful of your energy and the frequencies you emit. Positive vibrations attract positive outcomes.

d. The Principle of Polarity: Find balance between opposing forces, such as light and dark, night and day.

e. The Principle of Rhythm: Acknowledge that life is cyclical, with ups and downs. Find harmony in these rhythms.

    f. The Principle of Cause and Effect: Take responsibility for your actions and choices as much as you can; they create your reality.

    g. The Principle of Gender: Recognize the masculine and feminine energies within yourself and others, strive for their balance.

    Incorporate Alchemical principles into your daily life:

    a. Meditation and Reflection: Regularly engage in introspective practices and foster personal growth.

    b. Self-Care: Prioritize your physical, mental, and emotional well-being. Just as Alchemical substances are purified, nurture your body, mind and soul.

    c. Lifelong Learning: Embrace knowledge and wisdom as tools for personal transformation. Seek out opportunities for growth and self-improvement.

    d. Passion and Purpose: Identify your passions and align your life with your purpose. Pursuing what truly matters to you leads to a more fulfilling existence.

    e. Mindful Manifestation: Use the power of intention and positive thinking to manifest your desires and goals.

    Some Alchemical symbols can serve as reminders of the transformative journey:

    a. The Ouroboros (the serpent eating its tail): Symbolizes the eternal cycles, encouraging us to embrace change and renewal.

    b. The Caduceus: Represents balance and healing. Strive for equilibrium in your life, and seek healing on all levels.

    c. The Three Moons : Symbolize the cyclical nature of life, as well as the continuous cycle of change and transformation.

    These concepts might be interpreted as follows:

    Symbolism

    Just as alchemists used symbols to represent their processes, individuals can use symbolism and metaphor to better understand and navigate their personal growth journey. For example, turning “base” qualities into “noble” ones might represent turning negative traits or habits into positive ones. Transmutation

    In alchemy, transmutation is the process of changing one substance into another. In personal development, this can be seen as the process of changing one’s mindset, beliefs, or behaviors to achieve personal goals and transformation.

    Wisdom

    Alchemy often involved deep philosophical AND practical reflections. In this context, individuals can explore ideas and practical wisdom to gain insights into their lives and make meaningful changes. Wisdom and Pragmatism go hand in hand.

    Inner Work

    Just as alchemists spent considerable time and effort on their experiments, individuals can dedicate time and effort to personal transformation and development.

    Goal Setting

    The quest for the philosopher’s stone or the elixir of life in alchemy can be likened to setting life goals and working toward them with dedication and perseverance.

    Alchemy may also offer a road map for personal transformation and self-discovery.

      Alchemy encourages us to embark on an inner journey of self-improvement, mindfulness, and purpose, ultimately helping us unlock the secrets to living a better life, a life filled with truth, wisdom, balance, the pursuit of freedom, wealth and our highest potential.

      Now, when we combine these elements, “Living a Better Life Through Alchemy” suggests that by applying certain metaphorical and practical principles or methods inspired by alchemy, individuals can achieve personal transformation and enhance their overall quality of life.

      Today, the concept of alchemy is often used metaphorically to describe any profound personal transformation, where individuals seek to turn their “base” qualities into “gold” through self-awareness and inner work. It also provides practical and day to day solutions for a better life.

      Interesting information, additional sources and other points of view:

      https://www.alchemywebsite.com/

      More occult posts here on Alkemystica.com

      Watch the related video on the platform below:

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      Esotericism and the Occult. Are they useless? (New Counter Theory)

      Esotericism refers to the doctrines of esoteric knowledge, in other words, knowledge that is hidden or obscure. Esoteric knowledge is available only to a narrow circle of “enlightened,” “initiated,” or highly educated people. ESOTERIC knowledge is usually contrasted with EXOTERIC knowledge, which is well-known or public knowledge for society at large.

      Esotericism involves initiation such as the requirement that one be tested before learning the higher truth. However, such knowledge may be kept secret even because the masses would not have the ability to understand it.

      Some traditions could be classified as forms of “Esotericism” due to their “inner” focus as well as their “selective” and “secretive” nature.

      Etymology

      Esoteric is an adjective originating in ancient Greece and comes from the Greek esôterikos, from esôtero, the comparative form of esô: which means “within.”

      Esoteric refers to anything that is inner.

      Its opposite is Exoteric, from the Greek eksôterikos, from eksôtero, the comparative form of eksô: “outside.”

      While many esoteric subjects have a history reaching back thousands of years, not all of them survived to this day. During the Italian Renaissance, for example, philosophers Marsilio Ficino and Pico della Mirandola turned their attention to the classical literature of neo-Platonism, and Hermeticism.

      During the Middle Ages, things as astrology, alchemy, and magic were all part of the curriculum of an educated person. In fact, it was quite normal for a person to have various interests and be learned in many topics and not be skilled in just one thing or monodimensional like today.

      History

      Esotericism is not a single tradition, but a mix of often unrelated figures and movements, that is why any teaching is to be taken with a grain of salt in my opinion.

      In the ancient Graeco-Roman world, “Mystery religions,” or simply “Mysteries,” were belief systems in which full admission was restricted to those who had gone through certain secret initiation rites.” The term “Mystery” derives from Latin mysterium, from Greek musterion, in this context meaning “secret rite or doctrine.”

      Esoteric is used to designate teachings or doctrines that are purposely kept secret, generally with a view to distinguish between initiates and noninitiates and refers to the hidden meanings of apparent reality.

      GNOSIS, which means “knowledge” in Greek, is often used as a synonym for Esotericism.

      Mainly since the beginning of the 1990s, the definition Western Esotericism came about, referring to the medieval and modern Greco-Latin world in which the religious traditions of Judaism and Christianity have coexisted for centuries, together with Islam.

      I personally discard the term Western or Eastern since giving Esoteric and higher knowledge a geographic location is ridiculous, given the many clues about a world-wide pool of knowledge from time immemorial. Considering also the fact that many scholars use it just to underline political or personal world view that have no basis in reality.

      Some prominent currents of Esotericism are:

      Hermetism (referring to the Greek hermetica of late antiquity, in particular in the Corpus Hermeticum attributed to the legendary Hermes Trismegistus)

      The philosophy of the Renaissance

      Alchemy of the fifteenth to the twentieth centuries

      Astrology

      Theories of Paracelsus, giving a chemical or Alchemical interpretation of nature

      Rosicrucianism

      Theosophy, Illuminism and Occultism.

      These are all official and established definition, not that you have to believe in them not take them for granted without doing your own research.

      Then you also have all the academic research that is mostly a philosophical exercise of the intellect, mostly performed by aristocrats or individuals who belonged to agencies or hidden groups and had nothing to do with the REAL world, whatever REAL might mean.

      As I said in my previous video about ESOTERIC PRAGMATISM, all these teachings should help us live a better life and not only be approached when one feels bored or wants to spend time flexing their brains, especially within the walls of Academia.

      Most real scholars in the past and a few in the present, were OUT THERE in the world and were men and women of many talents and capabilities. Kings and Queens died in battle, unlikely to happen today.

      Now it’s true that Philosophy and Mystical activities have always been in the hands of the higher classes and elite, since they had time and resources to dedicate themselves to it, unlike regular people who unfortunately have to go real jobs and professions.

      Today, 99% of esoteric material is in the hands of people who never leave their armchairs, so their knowledge of the world is limited, as their knowledge of the REAL mysteries of the world.

      I personally always promote a practical approach to any occult teachings, as a way to look for personal freedom while not harming anyone. So the point is: are modern esoteric teachings just a parroting of old ones?

      For the most part, I would say close to 100%, yes they are, and the reason is simple. Most of self proclaimed experts in occult knowledge just repeat and promote the same teachings that have been known for thousands of years, without considering if they are still relevant today or not.

      Can a secret doctrine of 3000 years ago help you in your current life in the year 2023 and years to come? Maybe, maybe not.

      How do you find that out? Did you try it yourself or only rely on other people’s words and teachings?

      I found most people never make an effort to come up with some practical knowledge and solutions to today’s challenges.

      In a historical period in time where a lot of change is going on, as always was and probably will be, I believe it is time to promote teachings and solutions that can transform people’s minds to be free and prosper today’s world. Teachings that promote health, personal freedom and wealth and not some abstract and still-not-proven theory taken from an obscure, often random, text.

      So the question is:

      Is Esotericism useless? Especially the modern form promoted by would-be gurus?

      Also, if you think about it and it does not get mentioned often, if something was really “esoteric” and “occult”, you wouldn’t probably find it in books on online stores and all.

      Of course all knowledge can help you live a better life if you believe it can.

      The point is that REAL occult knowledge that is in the hands of few people will remain, INDEED, OCCULT, that is, HIDDEN, for the rest of us, whether you are a self-proclaimed guru, professor within academia, or a freethinker.

      Unless you are REALLY part of that inner circle. Only time will tell.

      Sources, additional Info and other Points of View:

      Esoteric knowledge is useless, VIDEO here

      https://www.newworldencyclopedia.org/entry/Esotericism

      https://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/esotericism

      You can Watch the VIDEO on the platform below:

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      Myth and Symbolism of the Ouroboros

      The Ouroboros or Uroboros is an ancient symbol depicting a serpent or dragon eating its own tail. The ouroboros entered Western tradition via ancient Egyptian iconography and the Greek magical tradition. It was adopted as a symbol in Gnosticism and Hermeticism and most notably in alchemy.

      This ancient and enigmatic emblem holds a unique place in the pantheon of symbols, transcending cultural boundaries and time periods. Throughout history, the Ouroboros has been interpreted in various ways, reflecting the diverse and complex nature of human thought and creativity. In this essay, we will explore the origins, symbolism, and the profound implications of the Ouroboros.

      This symbol has roots in various cultures, including ancient Egypt, Greece, and China, dating back thousands of years.

      Ancient Egypt: The Ouroboros is often associated with ancient Egypt, where it symbolized the cycle of life, death, and rebirth. This symbol was closely linked to the sun-god Ra, who was believed to travel through the underworld at night, only to emerge renewed and rejuvenated each day. The Ouroboros, with its circular form, mirrored this eternal journey of the sun and the continuous cycles of existence.

      Greek Alchemy and Gnosticism: In Greek alchemical and Gnostic traditions, the Ouroboros symbolized the unity of opposites, such as life and death, creation and destruction, beginning and end. It was a powerful representation of the cyclical nature of existence and the eternal cycle of renewal.

      Chinese Tradition: While less known in the Western world, a similar symbol called the “Yuangong Shengzhi Jue” appears in Chinese Taoist alchemy. This symbol, also depicting a serpent or dragon in a circular form, is associated with the circulation of energy and the quest for immortality. It shares philosophical similarities with the Western interpretations of the Ouroboros, emphasizing the cyclical nature of life.

      The term Ouroboros derives from Ancient Greek oura ‘tail’ plus boros-‘eating’.

      The ouroboros is often interpreted as a symbol for eternal cyclic renewal or a cycle of life, death and rebirth.

      The snake’s skin-shedding symbolises the transmigration of souls. The snake biting its own tail is a fertility symbol in some religions: the tail is a phallic symbol and the mouth is a yoni or womb-like symbol.

      One of the earliest known ouroboros motifs is found in the Enigmatic Book of the Netherworld, an ancient Egyptian funerary text found in the tomb of Tutankhamun, in the 14th century Before Current Era.

      The text concerns the actions of Ra and his union with Osiris in the underworld.

      The Ouroboros is depicted twice on the figure: holding their tails in their mouths, one encircling the head and upper chest, the other surrounding the feet of a large figure, which may represent the unified Ra-Osiris (Osiris born again as Ra).

      Both serpents are manifestations of the deity Mehen, who in other funerary texts protects Ra in his underworld journey. The whole divine figure represents the beginning and the end of time.

      Like many Egyptian serpent deities, the Ouroboros represents the formless disorder that surrounds the orderly world and is involved in that world’s periodic renewal.

      The symbol persisted from Egyptian into Roman times, when it frequently appeared on magical talismans, sometimes in combination with other magical emblems.

      The 4th-century Current Era Latin commentator Servius was aware of the Egyptian use of the symbol, noting that the image of a snake biting its tail represents the cyclical nature of the year.

      According to the Egyptians, before the invention of the alphabet the Year was symbolized by a picture, a serpent biting its own tail because it recurs on itself.

      In Gnosticism, a serpent biting its tail symbolised eternity and the soul of the world. The Gnostic Pistis Sophia (circa 400 CE) describes the Ouroboros as a twelve-part dragon surrounding the world with its tail in its mouth.

      The famous Ouroboros drawing from the early alchemical text The Chrysopoeia of Cleopatra encloses the Greek words hen to pan, “The All is One”.

      Its black and white halves may perhaps represent a Gnostic duality of existence, analogous to the Taoist yin and yang symbol. In the Chrysopoeia of Cleopatra the Alchemist, we find one of the oldest images of the Ouroboros to be linked with the legendary opus of the alchemists, the philosopher’s stone.

      Cyprianus was also known as the Black Book of the Black School at Wittenburg, a textbook from the 18th century witches and sorcerers would get their spells from. Various figures are represented in animal form, one resembling a Ouroboros. The Black School at Wittenburg was purportedly a place in Germany where one went to learn the black arts.

      In Norse mythology, the Ouroboros appears as the serpent Jörmungandr, one of the three children of Loki and Angrboda. It grew so large that it could encircle the world and grasp its tail in its teeth.

      It is a common belief among the indigenous people of the tropical lowlands of South America that waters at the edge of the world-disc are encircled by a snake, often an anaconda, biting its own tail.

      The Ouroboros has certain features in common with the Biblical Leviathan. According to the Zohar, the Leviathan is a singular creature with no mate. “Its tail is placed in its mouth”. It is also described as “twisting around and encompassing the entire world”.

      In the Aitareya Brahmana, a Vedic text of the early 1st millennium BCE, the nature of the Vedic rituals is compared to “a snake biting its own tail.”

      Ouroboros symbolism has been used to describe the Kundalini. According to the medieval Yoga-kundalini Upanishad: “The divine power, Kundalini, shines like the stem of a young lotus; like a snake, coiled round upon herself she holds her tail in her mouth and lies resting half asleep as the base of the body”

      When Shakti is united with Shiva, she is a radiant, gentle goddess; but when she is separated from him, she turns into a terrible, destructive fury. She is the endless Ouroboros, the dragon biting its own tail, symbolizing the cycle of samsara.

      Swiss psychiatrist Carl Jung saw the Ouroboros as an archetype and the basic mandala of alchemy.

      Jung also defined the relationship of the ouroboros to alchemy:

      “The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposites. This ‘feedback’ process is ALSO a symbol of immortality since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself, and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he, therefore, constitutes the secret of the prima materia which – unquestionably – stems from man’s unconscious.”

      Some researchers also used the Ouroboros to illustrate the various scales of the universe, ranging from the subatomic at the tail, up to the supragalactic at the head, representing “the intimate links between the microworld and the cosmos, symbolised by the Ouroborus“, as tail and head meet to complete the circle.

      A school of Cybernetics affirms that living things maintain essential variables of the body within critical limits, with the brain as a regulator of the necessary feedback loops.

      Others apply the cybernetic Ouroboros principle to musical improvisation and self-indication, the logical processual notation for analysing and explaining self-producing autonomous systems and “the riddle of the living”.

      One of the most important characteristics observed in metabolic networks is that they produce themselves as Ouroboros Avatars. We envision that the ideas behind this equation, a unique kind of mathematical concept initially found in biology, would play an important role in the development of a true systemic theoretical biology.

      Second-order cybernetics, or the cybernetics of cybernetics, applies the principle of self-referentiality, or the participation of the observer in the observed, to explore observer involvement. The Ouroboros analogy is evident.

      The genus of the armadillo girdled lizard, Ouroborus cataphractus, takes its name from the animal’s defensive posture: curling into a ball and holding its own tail in its mouth.

      In Portuguese Uma pescadinha de rabo na boca “tail-in mouth little hake” and in Spanish La pescadilla que se muerde la cola, “the hake that bites its tail”, are proverbial expressions for circular reasoning and vicious cycles.

      Symbolism of the Ouroboros

      Infinity and Wholeness: The Ouroboros is often interpreted as a symbol of infinity, as it creates an unbroken circle or loop. This conveys the idea of completeness, unity, and the eternal nature of existence. It reminds us that life is a continuous cycle with no clear beginning or end.

      Transformation and Renewal: The act of the serpent consuming its own tail signifies self-renewal and transformation. It represents the idea that in order to grow and evolve, one must first let go of the old, much like a snake shedding its skin to reveal a fresh layer underneath.

      Unity of Opposites: The Ouroboros embodies the harmonious coexistence of opposites. It symbolizes the idea that life and death, creation and destruction, and other opposing forces are interconnected and interdependent, forming a harmonious whole. It promotes a holistic worldview that emphasizes harmony and balance.

      Timelessness and Immortality: This symbol suggests that time is cyclical rather than linear. It implies a sense of timelessness and immortality, as the Ouroboros continues its eternal cycle without end.

      Philosophical and Mystical Implications

      The Ouroboros has profound philosophical and mystical implications, inspiring contemplation on the nature of existence and the human condition.

      Embrace of Change: The Ouroboros teaches us that change is inevitable and necessary for growth. To achieve personal development, we must accept and embrace the cycles of life, including both its creative and destructive aspects.

      Pursuit of Self-Knowledge: The act of the serpent consuming its tail also represents introspection and self-discovery. It invites individuals to explore their inner depths and seek self-understanding.

      Whether viewed through the lens of ancient mythology, alchemical symbolism, or modern theories, the Ouroboros continues to inspire contemplation and wonder, inviting us to explore the mysteries of life, death, and rebirth at the deepest levels of human consciousness.

      In doing so, we gain insight into the profound wisdom embedded in this ancient symbol and its enduring relevance in our ever-evolving understanding of existence.


      The Ouroboros, as a symbol, does not inherently carry a positive or negative meaning. Instead, its interpretation and significance can vary widely depending on the context in which it is used and the cultural, philosophical, and practical perspective of the observer. Here are some common interpretations:

      Positive Symbolism:

      Eternal Renewal: In many interpretations, the Ouroboros represents eternal renewal and the cycle of life, death, and rebirth. This can be seen as a positive and hopeful symbol, emphasizing the potential for growth, transformation, and continuous renewal in life.

      Unity and Balance: The Ouroboros often symbolizes the unity of opposites and the interconnectedness of all things. This perspective can be seen as positive, promoting a sense of harmony and balance in the universe.

      Negative Symbolism:

      Cyclical Suffering: Some interpretations emphasize the cyclical nature of suffering and hardship, suggesting that individuals may be trapped in repetitive, negative patterns. In this pessimistic view, the Ouroboros could represent the idea that we are destined to face the same challenges and problems repeatedly, without the hope of lasting change. In such cases, the Ouroboros could be seen as a symbol of entrapment or stagnation.

      Existential Themes: In existentialist philosophy, the Ouroboros can be seen as a symbol of existential dread and the idea that life lacks inherent meaning. The eternal return of events and experiences can be viewed negatively when contemplating the idea of a universe without a predetermined purpose.

      Neutral Symbolism:

      Symbol of Nature: The Ouroboros can be seen as a neutral symbol representing the natural order of life, death, and renewal. It does not inherently carry positive or negative connotations but reflects the cyclical processes observed in the natural world.

      Ultimately, whether the Ouroboros is viewed positively, negatively, or neutrally, it depends on the personal lens through which it is examined. It is essential to consider the broader context and the specific interpretation when assessing its symbolism.

      In doing so, it is worth noting that it has appeared in various forms throughout history and across different cultures, and it has ALSO been featured in various works of art and masonry, even in modern culture. Here are a few notable examples:

      Modern Art and Pop Culture: The Ouroboros has made its way into modern art, literature, and popular culture. It can be found in contemporary art pieces, tattoos, and literature, often used to convey themes of self-discovery, personal transformation, and the cyclical nature of life.

      Medical Symbol: The Rod of Asclepius, a symbol associated with medicine and healing, features a serpent coiled around a staff. While not a traditional Ouroboros, this representation shares similarities, symbolizing health, healing, and the restoration of life.

      Codex Parisinus Graecus: This ancient Greek manuscript, dating back to the 10th century, features an illustration of the Ouroboros alongside alchemical and mystical texts.

      The Aztec Calendar Stone: While not a traditional Ouroboros, the Aztec Calendar Stone (or Sun Stone) features a serpent-like creature at its center, which could be interpreted as a similar concept of cyclical time.

      Alchemical manuscripts frequently feature the Ouroboros as a symbol of the cyclical nature of alchemical processes, transformation, and the unity of opposites.

      Here are a few alchemical manuscripts that include the Ouroboros:

      “The Chrysopoeia of Cleopatra” (Cleopatra’s Gold-Making): This ancient alchemical text attributed to Cleopatra The Seventh, includes depictions of the Ouroboros. It is one of the earliest known alchemical texts and is known for its symbolic and allegorical content.

      “The Rosarium Philosophorum” (The Rosary of the Philosophers): This medieval alchemical text, dating from the 16th century, contains a series of symbolic illustrations, some of which feature the Ouroboros. It explores the stages of the alchemical journey and the philosopher’s stone.

      “Atalanta Fugiens” by Michael Maier: This 17th-century alchemical work by Michael Maier includes a series of emblematic engravings, some of which feature the Ouroboros. It is considered one of the most intricate and symbolic alchemical texts of its time.

      “The Book of Lambspring”: This 16th-century alchemical text features a poetic and symbolic narrative accompanied by illustrations, some of which incorporate the Ouroboros. It is known for its allegorical storytelling.

      “The Splendor Solis” (The Splendor of the Sun): This 16th-century alchemical manuscript, attributed to Salomon Trismosin, contains a series of colorful and symbolic illustrations, with some depicting the Ouroboros. It is a notable work in the history of alchemy.

      “The Aurora Consurgens”: This alchemical manuscript, believed to date back to the 15th century, contains a collection of texts and illustrations, and some of them feature the Ouroboros. It explores the union of opposites and the process of transformation.

      Alchemy and Occult teachings have always been rich in symbolism and mysticism and the Ouroboros played a significant role in conveying the philosophical and practical concepts of many esoteric schools of thought.

      And you, what do you think about the Ouroboros? Did you find any new and obscure meanings that have not come to the surface yet?




      Video version and more Content here:

      https://youtu.be/vP9UG-3r3YY

      https://www.youtube.com/@alkemystica/videos

      Interesting sources, additional info and other points of views:

      https://en.wikipedia.org/wiki/Ouroboros

      alchemywebsite.com


      More info about the Ouroboros, additional images and attributions here:

      Monument in Ukraine

      https://commons.wikimedia.org/wiki/File:%D0%9F%D0%B0%D0%BC%27%D1%8F%D1%82%D0%BD%D0%B8%D0%BA_%C2%AB%D0%A1%D0%BB%D0%B0%D0%B2%D0%B8%C2%BB.14.JPG

      Ouroboros, City of Grove, Oklahoma

      https://www.cityofgroveok.gov/building/page/serpent-eating-tail-ouroboros

      Walter Ross Munro Mausoleum. Glencairn Parish Church, Kirklands. Dumfries and Galloway. Coat of Arms

      https://commons.wikimedia.org/wiki/File:Walter_Ross_Munro_Mausoleum._Glencairn_Parish_Church,_Kirklands._Dumfries_and_Galloway._Coat_of_Arms.jpg

      https://commons.wikimedia.org/wiki/File:Anstey_churchyard,_Leicestershire.jpg

      https://commons.wikimedia.org/wiki/File:Katarrhaktes_ouroboros.jpg

      Photo by Simon Garbutt

      https://commons.wikimedia.org/wiki/Category:Ouroboros#/media/File:Kilpeck_Details_of_Door_Arch.jpg

      Prayer Book from Ethiopia by

      https://commons.wikimedia.org/wiki/File:Livre_de_pri%C3%A8res_%C3%A0_Ragouel-Ethiopie.jpg

      Atalanta Fugiens

      https://commons.wikimedia.org/wiki/File:Michael_Maier_Atalanta_Fugiens_Emblem_14.jpeg Michael Maier, Public domain, via Wikimedia Commons

      Jeff Kubina, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons

      https://commons.wikimedia.org/wiki/File:Ornament_in_the_form_of_a_Dragon_Biting_His_Tail_LACMA_AC1995.252.22.jpg

      https://commons.wikimedia.org/wiki/File:Ottignies_-_dalle_fun%C3%A9raire_Bertout_de_Carillo_04.JPG

      https://commons.wikimedia.org/wiki/File:Ouroboros_on_a_cemetery_door_(cropped).jpg

      Swiertz, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons

      https://commons.wikimedia.org/wiki/File:Palazzo_della_ragione_di_Padova_12.jpg

      Colin Rose, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons

      https://commons.wikimedia.org/wiki/File:Porte_du_palais_royal_d%27Abomey-N%C2%B0_71.1893.45.6-Mus%C3%A9e_du_Quai_Branly_(6).jpg

      Ouroboros in a wall of the castle of Ptuj (Slovenija)

      https://commons.wikimedia.org/wiki/File:Ptuj_Castle_Ouroboros_27102006_01.jpg

      Detail of the ceiling of the “Room of the Seasons”, central part, allegory of the Year, Residenz, Munich, Bavaria, Germany.

      https://commons.wikimedia.org/wiki/File:Room_of_the_seasons_ceiling_detail_Residenz_Munich.jpg

      Salterio di corbie (iniziale istoriata), Amiens, Bibliothèque Municipale, 800 circa

      https://commons.wikimedia.org/wiki/File:Salterio_di_corbie_(iniziale_istoriata),_Amiens,_Biblioth%C3%A8que_Municipale,_Ms._18_f._46_recto,_800_circa.jpg

      Steinrelief mit Symbolen für Vergänglichkeit und Ewigkeit: eine Motte, von einem Ouroboros umgeben.

      https://commons.wikimedia.org/wiki/File:Sascha_Grosser_-_Motte_in_Stein.jpg

      Allegorie der Toskana

      https://commons.wikimedia.org/wiki/File:Sebastiano_Ricci_003.jpg

      Sebastiano Ricci, Public domain, via Wikimedia Commons

      Symbolical figure from Levi’s Haute magie

      https://commons.wikimedia.org/wiki/File:The_Open_court_(1887)_(14781669601).jpg

      Internet Archive Book Images, No restrictions, via Wikimedia Commons

      llustrations showing kings wearing gold crowns, represented by Uricus – a red-crowned and winged serpent – as King of the East; Paymon – a black cat-like animal with horns, long whiskers and tail – as King of the West; Maymon – a black bird – as King of the South; and Egyn – a black bear-like animal with a short tail – as King of the North. From Cyprianus, 18th century. Cyprianus is also known as the Black Book, and is the textbook of the Black School at Wittenburg, the book from which a witch or sorceror gets his spells. The Black School at Wittenburg was purportedly a place in Germany where one went to learn the black arts. Archives & Manuscripts Keywords: Occult; King; Birds; Magic; Snakes; Serpent; Demon; Bear; Monsters; Ursidae; Snake; Bird

      Image taken from

      https://wellcomecollection.org/search/works

      https://commons.wikimedia.org/wiki/File:The_serpent_Ouroboros,_from_Cyprianus,_18th_C_Wellcome_L0036620.jpg

      Tropenmuseum

      https://commons.wikimedia.org/wiki/File:Tropenmuseum_J_left_top_stone.jpg

      Raffigurazione del serpente uroboros che forma un circolo zodiacale intorno a un esagramma, ai cui angoli ed al centro sono disposti i simboli dei sette pianeti tradizionali.

      Incisione dal trattato Donum Dei dell’alchimista Abraham Eleazar, pubblicato a Erfurt.

      https://commons.wikimedia.org/wiki/File:Uroboro_cosmico.png

      Casa Carlini

      https://commons.wikimedia.org/wiki/File:Via_del_Proconsolo_12r-14r_angolo_via_dei_pandolfini,_casa_carlini_(gi%C3%A0_sede_stamperia_giunti),_portale_seicentesco_attr._al_dis._di_Giovanni_da_San_Giovanni,_03_libro_e_urboro_1.jpg