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Posted on 02/15/202502/15/2025 by ALKEMYSTICA — Leave a comment

5 ANIMALS AND THEIR OCCULT SYMBOLISM

Throughout history, animals have been imbued with mystical significance, serving as symbols, messengers, and spiritual allies in the realms of the occult and esoteric practices. Their connection to the unseen world has inspired countless myths, legends, and magical traditions, weaving them into the fabric of human belief systems. From ancient grimoires to modern pop culture, the symbolic power of animals is undeniable.

In this exploration, we will delve into the occult connections of five everyday animals and uncover their esoteric meanings, tracing their appearances in literature, film, and spiritual traditions.

Number One: The black cat is perhaps the most iconic animal tied to the occult, its reputation steeped in mystery and superstition.

Black cats are known for being elusive, hiding in the shadows of dark alleys, moving with extreme precision, and being stealth hunters. These traits naturally connect them to what’s hidden, what’s unknown, what is secret and what is veiled.

In alchemy, the cat’s dark fur mirrors the darkness of the nigredo, where the impurities of the soul are confronted and released.

In tarot, we can see the black cat on the Queen of Wands, signifying the hidden and intuitive side of the Queen, but also implying that she has a more secretive and dark side to her.

At one time in history, black cats were revered and worshipped. They brought luck and were praised for killing venomous snakes, rodents and birds that damaged crops, and protecting the Pharaoh since at least the First Dynasty of Egypt. The Goddess Bastet was very closely associated with cats, bringing protection to anyone worshipping her.

It wasn’t until the Middle Ages that black cats were believed to be witches’ familiars, aiding their human counterparts in magical endeavors. Black cats were thought to be shapeshifters, moving between worlds unannounced and unseen.

During the witch trials in Europe and America, their association with the devil and witchcraft led to their persecution alongside accused witches. Too many innocent black cats lost their lives.

This symbolism endures today, with black cats often portrayed as either omens of bad luck or harbingers of supernatural events.

In Edgar Allan Poe’s short story “The Black Cat,” the animal serves as a chilling symbol of guilt and darkness, underscoring its association with the uncanny. Additionally, black cats have found their way into popular culture as magical companions, such as Salem in the television series Sabrina the Teenage Witch or Thackery Binx in the film Hocus Pocus. These portrayals continue to highlight their enduring connection to the occult.

Interesting fact – In cats, the gene for a black coat is dominant, which overrides the expression of the tabby gene, resulting in a black coat. This dominance means black is the most common coat color among cats, making black cats more prevalent than any other color. Also, due to genetic mutations, they seem to resist disease more than cats of other colors!

Number Two: Crows and ravens. Firstly, crows are the smaller of the two birds and groups of them are called “murders” – this was given to them in the middle ages for their association with scavenging on dead and decaying matter and with being found around battlefields, cemeteries, gallows and hospitals waiting for any kind of food source.

A group of ravens is called an “unkindness”, or sometimes “conspiracy” of ravens because they have an infamous history of being associated with bad omens, supersitions and other dark foretellings.

Crows and ravens, often conflated, or combined together, in symbolism, are revered for their intelligence and eerie presence. In Norse mythology, the god Odin is accompanied by two ravens, Huginn and Muninn, who represent thought and memory and serve as his eyes and ears across the world.

This connection to divine knowledge and prophecy is echoed in other traditions, where crows and ravens are viewed as psychopomps, or guiders of souls, escorting newly deceased souls to the afterlife. Their striking black feathers and keen intelligence make them natural symbols of mystery, transformation, and the unknown.

In literature, Edgar Allan Poe’s poem “The Raven” immortalizes the bird as a symbol of grief and unrelenting mystery, with its haunting refrain, “Nevermore,” resonating with themes of loss and the supernatural. Similarly, films such as The Crow (1994) emphasize the bird’s association with death and resurrection, reinforcing its esoteric significance.

In J.R.R. Tolkien’s The Lord of the Rings, ravens are also given a mystical role, specifically in their flight patterns. At one point, a group of ravens is seen flying against the wind, a phenomenon that serves as an omen and a signal of deeper forces at play. This imagery ties into the ancient belief that crows and ravens could defy natural order to deliver messages from the spiritual realm. In the context of Tolkien’s work, their deliberate flight against the wind symbolizes resistance, determination, and the breaking of ordinary rules, aligning with their archetypal role as messengers and harbingers in both literature and occult traditions.

Interesting fact: It is thought that Charles II was the first to insist there must be at least six Ravens at the Tower of London at all times, elsewise, the Monarchy would fall.

Number 3: Owls have long been linked to wisdom and the occult, their nocturnal nature and ability to see in the dark making them symbols of hidden knowledge. In ancient Greek mythology, the owl was sacred to Athena, the goddess of wisdom and strategy, and was often depicted alongside her. This association persists in modern depictions of the owl as a figure of insight and mystery. In the occult, owls are believed to be messengers between worlds, capable of perceiving truths hidden to others.

J.K. Rowling’s Harry Potter series leverages this symbolism, using owls as magical carriers of communication, further cementing their mystical reputation. Owls’ ghostly presence in the night sky and their eerie calls have also made them enduring figures in folklore, often viewed as omens of death or portents of significant change.

In ancient Roman folklore, owls were believed to foretell death if they hooted while perched on a rooftop. Additionally, placing an owl’s feather near a sleeping person was thought to compel them to speak and reveal secrets.

Interesting fact: In the western world the owl is associated with wisdom, but in Hinduism it is both auspicious and inauspicious. This is because the owl is the vehicle, or “vahana” of Laksmi, the Goddess of wealth and prosperity. There are some people in India that believe by taking away her “vehicle”, in other words, by sacrificing the owl in rituals, the Goddess will be unable to leave the home of that person and will have no choice but to bring them wealth and prosperity the entire year. Some also believe the owl to be Lakshmi’s sister Alaksmi, the Goddess of misery, poverty and strife. In either case, these animals should be held in high reverence, respected and left alone as symbols of wisdom, beauty and awe.

If you’d like more information on how you can help and donate to owls in India, check this link.

Number 4: The snake: The snake is another animal deeply entwined with esoteric practices, embodying duality and transformation and is used frequently in occult contexts. Its shedding of skin has long been interpreted as a symbol of renewal and rebirth, making it a powerful emblem in alchemy and spiritual transformation. It is seen in symbols like the Ouroboros, the snake that bites its own tail, symbolizing eternal cycles like life and death.

In Hinduism, the snake (or serpent) is associated with Kundalini energy, a coiled force that lies dormant at the base of the spine and, when awakened, leads to spiritual enlightenment. Snakes also appear in the Bible as both tempters and symbols of wisdom, as seen in the Garden of Eden story.

It is associated with healing and wisdom and linked to the ancient caduceus, a staff with two snakes, which represents balance, harmony, and the union of opposites.

His symbol is often associated with Hermes (or Mercury) in Hermetic traditions, signifying wisdom and the path to spiritual enlightenment but also representing commerce and negotiation.

In ancient Greek mythology, the snake is linked to Asclepius, the god of medicine and healing, who carries the rod of Asclepius – a classic symbol of medicine.

This duality—of wisdom and danger—makes the snake a complex and multifaceted symbol. Films like The Serpent and the Rainbow (1988) draw on the snake’s association with magic and transformation, while classic texts like Aleister Crowley’s writings often feature serpentine imagery to describe spiritual ascent.

In the Harry Potter series, Nagini is a snake that serves as a Horcrux for Voldemort. The word Nagini, is in fact, the name for a female member of the Naga, a class of semi-divine snakes in Indian religion and mythology.

Interesting fact: Despite being so intertwined with occult practices and used as a powerful symbol since the dawn of man, the fear of snakes (ophiophobia or herpetophobia – fear of reptiles) is one of the most common phobias worldwide. It’s averaged that 1/3 of all adult humans have a fear of snakes.

Number 5: The wolf occupies a prominent place in the esoteric imagination, embodying wildness, instinct, and transformation. In many shamanic traditions, wolves are seen as guides, teaching humans how to reconnect with their primal instincts and the natural world.

This connection is particularly strong in Native American spirituality, where the wolf is often regarded as a symbol of loyalty, protection, courage and wisdom. They were guardians and messengers of the forest as well as teachers and guides. Many tribes had wolf clans, such as the Ojibwe (Oh JIB way): The word for “wolf” in Ojibwe is “ma’iingan” (my-IN-gan ). The Ojibwe tribe, found in the Great Lakes region referred to the wolves as a brother or sister along with the viewpoint that whatever happened to the wolves happened to one of the Ojibwe tribe. Killing a wolf is likened to killing a brother or sister.

Wolves also feature prominently in Greek stories and in Norse, Scandinavian, Icelandic, Teutonic lore as shapeshifters, often linked to werewolves, blending human and animal nature in a single entity.

In Norse mythology, the wolf Fenrir was commanded by Odin to be bound with magical fetters, symbolizing the struggle between primal forces and divine order. This myth reflects the wolf’s association with raw power and the untamed aspects of nature.

This idea of transformation aligns with the wolf’s role in the occult as a totemic figure for personal growth and self-discovery. In literature, Jack London’s The Call of the Wild and its exploration of the untamed spirit mirrors this symbolism. Meanwhile, films like The Company of Wolves (1984) delve into the wolf’s connection to power and transformation, blending fairy tales with esoteric themes.

Interesting fact: Some Arctic wolves are thought to synchronize their howls with the Northern Lights (Aurora Borealis), letting their haunting calls blend with the celestial display in a phenomenon rarely witnessed by humans.

These five animals—the black cat, crow or raven, owl, snake, and wolf—serve as bridges between the natural and supernatural, their symbolism rooted in ancient traditions and perpetuated through modern culture. Their recurring appearances in stories, myths, and films reflect humanity’s enduring fascination with the mysteries they embody. By exploring their roles in the occult and esoteric practices, we gain a deeper understanding of their magical significance and the ways they continue to captivate our imaginations.

So what is your favorite occult animal on this list? Have you had a previous experience with it? We’d love to hear about it in the comments below and don’t forget to share this post!!!

Video version here:

5 Animals and their Occult Symbolism

Interesting sources, additional info, courses, images, credits, attributions and other points of views here:

Balancing and Healing the Chakras through Yoga https://www.udemy.com/course/balancing-and-healing-the-chakras-through-yoga/?referralCode=12C81A148616B419AA06

Mudras to Balance and Harmonize your Chakras and Energy Body https://www.udemy.com/course/mudras-to-balance-and-harmonize-your-energy-body/?referralCode=1A275C6E67E05E8C8130

Elemental Energy for Success and Well Being https://www.udemy.com/course/elemental-energy-for-success-and-well-being/?referralCode=A680413E03BEAD96E744

Book a Tarot reading here: https://www.suryaholistictarot.com/book-a-reading/

Check our soundtrack here:
https://lennyblandino.bandcamp.com/track/nivuru-synthetic-waves

Websites:

https://www.alkemystica.com

https://www.lennyblandino.com

https://www.staciebronson.com/

Links and References:

https://www.catster.com/lifestyle/black-cat-facts/

https://en.wikipedia.org/wiki/Cats_in_ancient_Egypt

https://www.bbc.com/news/uk-england-london-48308322

https://www.birdzilla.com/learn/what-is-a-group-of-ravens-called/

https://birdfact.com/articles/what-is-a-group-of-crows-called

https://en.wikipedia.org/wiki/Psychopomp

https://en.wikipedia.org/wiki/Owl_of_Athena

https://michpics.wordpress.com/2008/11/07/the-snowy-owl-on-the-roof/

https://vedicfeed.com/alakshmi/

https://mythologyworldwide.com/the-symbolism-of-snakes-in-mythology-more-than-just-reptiles/

https://en.wikipedia.org/wiki/Kundalini_yoga

https://en.wikipedia.org/wiki/File:Serpentandtherainbow.png

https://en.wikipedia.org/wiki/Ophidiophobia#/media/File:The_Punishment_Of_Loki.jpg

https://www.factretriever.com/snake-facts

https://harrypotter.fandom.com/wiki/Horcrux

https://en.wikipedia.org/wiki/Nagini

https://occult-world.com/werewolves/

https://en.wikipedia.org/wiki/The_Call_of_the_Wild#/media/File:JackLondoncallwild.jpg

https://en.wikipedia.org/wiki/The_Company_of_Wolves#/media/File:Companyofwolvesposter.jpg

https://direwolfproject.com/dire-wolf/dire-wolf-mythology/

https://wildwisconsinwolves.omeka.net/natives

https://ojibwe.lib.umn.edu/main-entry/ma-iingan-na

https://parenting.firstcry.com/articles/20-fascinating-wolf-facts-for-kids/

https://www.britannica.com/topic/familiar

Posted on 01/24/202501/24/2025 by ALKEMYSTICA — Leave a comment

5 EVERYDAY OBJECTS YOU CAN USE FOR DIVINATION

Divination is the ancient practice of seeking knowledge or insight through spiritual or mystical means. While tools like tarot cards and crystal balls are well-known, you can also use everyday items for divination. These objects are often already imbued with meaning and energy, making them powerful conduits for esoteric exploration.

How do Everyday Objects Connect to the Esoteric Arts?

Each of these everyday objects that we will discuss holds symbolic and energetic significance. By using these tools for divination, you bridge the gap between the mundane and the mystical, tapping into universal energies and subconscious wisdom. This practice aligns with the following esoteric principles:

Synchronicity: Coined by Carl Jung, synchronicity is the idea that meaningful coincidences reveal deeper connections between the individual and the cosmos.
Intent and Focus: Divination requires the practitioner to focus their energy and intent, aligning their thoughts with the universal flow.
Symbolism: Whether interpreting shapes in tea leaves or patterns in wax, the use of symbols allows for intuitive and archetypal understanding.

Lets have a look at five everyday objects you can use for divination, their esoteric significance, and practical methods for using them.

1. Books for Bibliomancy

What it is: Bibliomancy is the practice of divination using books, often sacred or meaningful texts, to find guidance or answers to questions.

How to use it:

Choose a book that resonates with you—this could be a spiritual text, a favorite novel, or even a dictionary.
Hold your question in your mind. Focus your intent and energy.
Close your eyes, open the book to a random page, and let your finger fall on a line or paragraph.
Read the passage, interpreting it as an answer or guidance related to your question.

Esoteric connection: Books are repositories of human thought and collective consciousness. Bibliomancy taps into the synchronicity of the universe, where the “right” passage is revealed at the perfect moment. This practice aligns with the Hermetic principle of mentalism, where the mind connects to universal wisdom.

2. A Pendulum for Dowsing

What it is: A pendulum is any weighted object that swings freely on a string or chain. While traditional pendulums are often crystals, a necklace, ring, or key can serve as an everyday alternative.

How to use it:

Tie a string or chain to a weighted object, such as a ring or pendant.
Establish a “yes” or “no” baseline by asking simple questions you already know the answers to. Observe the pendulum’s movement (e.g., back and forth for “yes,” circular for “no”).
Ask your question and observe the pendulum’s response. Trust your intuition when interpreting the movement.

Whats the Esoteric connection: Pendulums work by channeling subtle energy fields and amplifying your subconscious mind’s intuitive answers. This ties into the concept of microcosmic and macrocosmic energies, as described in alchemical and esoteric traditions.

3. Teacups for Tasseography (Tea-Leaf Reading)

What it is: Tasseography involves interpreting patterns left by tea leaves or coffee grounds in a cup.

How to use it:

Brew a loose-leaf tea (or coffee if preferred) and drink most of the liquid, leaving a small amount at the bottom.
Swirl the cup gently three times, then invert it onto a saucer. Allow any remaining liquid to drain.
Examine the patterns left by the tea leaves or grounds, using intuition to interpret shapes, symbols, and images. Common interpretations include a heart for love, a circle for completion, or a bird for freedom.

Esoteric connection: Tasseography connects with the esoteric concept of symbolic interpretation. The shapes and patterns are seen as reflections of the querent’s inner world or future potential, aligning with the diviner’s intuitive insights.

4. Candles for Wax Divination (Ceromancy)

What it is: Ceromancy involves interpreting the shapes and patterns formed by dripping wax. While candles are common magical tools, their melted wax can be used for divination in a pinch.

How to use it:

Light a candle and focus on a question or intention.
Allow wax to drip onto a bowl of water or a flat surface. Observe the shapes and patterns formed as the wax cools.
Interpret the shapes based on their symbolic meanings. For example, a star may signify hope, while a spiral could represent growth or cycles.

Esoteric connection: Fire and wax are both transformative elements. In esoteric traditions, fire represents inspiration and will, while wax embodies the material world. Ceromancy reflects how spiritual energy manifests in physical form, offering insights into unseen dynamics.

5. Coins for Flip Divination

What it is: Coin divination uses a simple heads-or-tails approach, but you can deepen the process by combining it with intentions or creating your own symbolic associations.

How to use it:

Take a coin and assign meanings to heads and tails (e.g., heads for “yes” and tails for “no”), or heads for just do it, no for just wait)
Hold your question in mind, focusing on the energy and intent of the inquiry.
Flip the coin and interpret the result. For more complex questions, you can flip multiple coins and look for patterns or combinations.

Esoteric connection: The binary nature of coin flips resonates with the duality found in many esoteric systems, such as yin and yang or positive and negative forces. Coin divination channels the randomness of chance into meaningful synchronicity, providing clarity through simplicity.

Divination doesn’t require expensive or elaborate tools. Everyday objects, infused with your intent and energy, can be powerful conduits for insight and guidance. The key is to trust your intuition and remain open to the messages these tools reveal. By incorporating these simple methods into your practice, you can deepen your connection to the esoteric arts while discovering the magic in the ordinary.

So what’s your favorite divination tool, and why? We’d love to hear about it in the comments below and don’t forget to share this post!!!

Video version here:

5 Everyday Objects You Can Use for Divination

Interesting sources, additional info, courses, images, credits, attributions and other points of views here:

Balancing and Healing the Chakras through Yoga https://www.udemy.com/course/balancing-and-healing-the-chakras-through-yoga/?referralCode=12C81A148616B419AA06

Mudras to Balance and Harmonize your Chakras and Energy Body https://www.udemy.com/course/mudras-to-balance-and-harmonize-your-energy-body/?referralCode=1A275C6E67E05E8C8130

Elemental Energy for Success and Well Being https://www.udemy.com/course/elemental-energy-for-success-and-well-being/?referralCode=A680413E03BEAD96E744

Book a Tarot reading here: https://www.suryaholistictarot.com/book-a-reading/

Check our soundtrack here:
https://lennyblandino.bandcamp.com/track/nivuru-synthetic-waves

Websites:

https://www.alkemystica.co m

https://www.lennyblandino.c om

https://www.staciebronson.com /

https://www.facebook.com/groups/137242998689651 5

Links and References:

https://en.wikipedia.org/wiki/Bibliomancy

https://en.wikipedia.org/wiki/Dowsing

https://en.wikipedia.org/wiki/Tasseography

https://en.wikipedia.org/wiki/Carromancy

https://en.wikipedia.org/wiki/Flipism

https://www.psychic-junkie.com/divination-using-coins.htm l

https://www.californiapsychics.com/blog/psychic-tools-abilities/divination-at-home.ht ml

Pics:

https://www.pexels.com /

Posted on 01/13/202501/13/2025 by ALKEMYSTICA — Leave a comment

NAKSHATRAS, THE 27 LUNAR MANSIONS IN JYOTISH – INDIAN VEDIC ASTROLOGY (AN INTRODUCTION)

Nakshatras are prominently studied in Jyotish (Indian Vedic Astrology), and have an important occult and practical impact on the overall natal chart interpretation.

Some of the earliest records of stars are those of ancient India in the Vedanga Jyotisha, and the Babylonians.

The Nakṣhatra system predates the influence of Hellenistic astronomy on Vedic tradition.

Different cultures identified different constellations, although Orion and Scorpius were recurrent.

In essence, a nakshatra simply is a constellation.

Hence, the stars are like numbers on a clock, through which the hands of time (The Moon) travels, along the ecliptic, past the specific star fields called nakshatras in a 27-day cycle. This concept is described in connection with the Surya Siddhanta.

The 27 Nakshatras cover 13°20’ of the ecliptic each. Each Nakshatra is also divided into quarters or padas (“steps/parts”) of 3°20’.

The 4 padas multiplied by 27 give 108, indicating all the elements of Vishnu.

There are various systems of enumerating the nakshatras and although there are 27-28 days to a sidereal month, by custom only 27 days are used.

In ancient times, there were 28 nakshatras, but some Indian sages later dropped Abhijit to reduce the number to 27. The Chinese, however, retained all 28 lunar mansions.

Abhijit is the 22nd lunar mansion and the name means “the victorious one”.

According to traditional beliefs, it is not necessarily a separate nakshatra per se, but rather a division within the sidereal Capricorn sign.

Abhijit is also the Sanskrit name for Vega, the brightest star in the constellation of Lyra. Although now is rarely considered by astrologers, it might still be mentioned.

The starting point for the Nakshatras according to the Vedas is “Krittika”, because the Pleiades may have started the year at the time the Vedas were compiled.

More recently the start of the nakshatras is the point on the ecliptic directly opposite to the star Spica, called Chitrā in Sanskrit.

So the starting point is now Ashwinī, a part of the modern constellation of Aries.

Here is a list of the 27 Nakshatras:

1 Ashwini, “physician to the Gods”.

In the constellation of Aries

Lord: Ketu (South lunar node)

Symbol: Horse’s head

Deity: Ashwins, the horse-headed twins who are physicians to the gods.

Indian (sidereal) zodiac: Mesha

2 Bharani, “the bearer”.

In the constellation of Aries.

Lord: Shukra (Venus)

Symbol: Yoni, the female organ of reproduction

Deity: Yama, god of death or Dharma

Indian (sidereal) zodiac: Mesha

3 Krittika, an old name of the Pleiades, personified as the nurses of Kārttikeya, a son of Shiva.
Lord: Surya (The Sun)

Symbol: Knife or spear

Deity: Agni, god of fire

Indian (sidereal) zodiac: Mesha

4 Rohini, “the red one”, a name of Aldebaran. Also known as brāhmī.

Lord: Chandra (The Moon)

Symbol: Cart or chariot, temple, banyan tree

Deity: Brahma or Prajapati, the Creator

Indian (sidereal) zodiac: Vrishabha

5 Mrigashira, “the deer’s head”. Also known as āgrahāyaṇī. In the constellation of Orion.

Lord: Mangal (Mars)

Symbol: Deer’s head

Deity: Soma, Chandra, the Moon god

Indian (sidereal) zodiac: Vrishabha – Mithuna

6 Ardra, “the storm god”. Betelgeuse.

Lord: Rahu (North lunar node)

Symbol: Teardrop, diamond, a human head

Deity: Rudra, the storm god

Indian (sidereal) zodiac: Mithuna

7 Punarvasu, “the two restorers of goods”, also known as yamakau, “the two chariots”. Castor and Pollux.

Lord: Guru (Jupiter)

Symbol: Bow and quiver

Deity: Aditi, mother of the gods

Indian (sidereal) zodiac: Mithuna – Karka

8 Pushya, “the nourisher”, also known as sidhya or tiṣya.

In the constellation of Cancer.

Lord: Shani (Saturn)

Symbol: Cow’s udder, lotus, arrow and circle

Deity: Bṛhaspati, priest of the Gods

Indian (sidereal) zodiac: Karka

9 Ashlesha, “the embrace”.

In the constellation of Hydra.

Lord: Budh (Mercury)

Symbol: Serpent

Deity: Sarpas or Nagas, deified snakes

Indian (sidereal) zodiac: Karka

10 Magha, “the bountiful”. Regulus.

Lord: Ketu (south lunar node)

Symbol: Royal Throne

Deity: Pitris, ‘The Fathers’, family ancestors

Indian (sidereal) zodiac: Simha

11 Purva Phalguni, “first reddish one”.

In the constellation of Leo.

Lord: Shukra (Venus)

Symbol: Front legs of bed, hammock, fig tree

Deity: Bhaga, god of marital bliss and prosperity

Indian (sidereal) zodiac: Simha

12 Uttara Phalguni, “second reddish one”. Denebola.

Lord: Surya (The Sun)

Symbol: Rear legs of bed, hammock

Deity: Aryaman, god of patronage and favours

Indian (sidereal) zodiac: Simha – Kanya

13 Hasta, “the hand”.

In the constellation of Corvus.

Lord: Chandra (The Moon)

Symbol: Hand or fist

Deity: Savitri or Surya, the Sun god

Indian (sidereal) zodiac: Kanya

14 Chitra, “the bright one”, a name of Spica.

Lord: Mangal (Mars)

Symbol: Bright jewel or pearl

Deity: Tvastar or Vishvakarman, the celestial architect

Indian (sidereal) zodiac: Kanya – Tula

15 Swati, “Su-Ati” meaning “Very good” in Sanskrit, name of Arcturus.

Lord: Rahu (north lunar node)

Symbol: Shoot of a plant, coral

Deity: Vayu, the Wind god

Indian (sidereal) zodiac: Tula

16 Vishaka, “forked, having branches”; also known as rādhā, “the gift”.

In the constellation of Libra.

Lord: Guru (Jupiter)

Symbol: Triumphal archway, potter’s wheel

Deity: Indra, chief of the gods; Agni, god of Fire

Indian (sidereal) zodiac: Tula – Vrishchika

17 Anuradha, “following rādhā“.

In the constellation of Scorpius.

Lord: Shani (Saturn)

Symbol: Triumphal archway, lotus

Deity: Mitra, one of the Adityas (celestial deities) of friendship and partnership

Indian (sidereal) zodiac: Vrishchika

18 Jyeshta, “the eldest, most excellent”.

In the constellation of Scorpius.

Lord: Budh (Mercury)

Symbol: circular amulet, umbrella, earring

Deity: Indra, chief of the gods

Indian (sidereal) zodiac: Vrishchika

19 Mula, “the root”.

In the constellation of Scorpius.

Lord: Ketu (south lunar node)

Symbol: Bunch of roots tied together, elephant goad (ankusha)

Deity: Nirrti, Goddess of dissolution and destruction

Indian (sidereal) zodiac: Dhanus

20 Purva Ashadha, “first of the āṣāḍhā“, “the invincible one”.

In the constellation of Sagittarius.

Lord: Shukra (Venus)

Symbol: Elephant tusk, fan, winnowing basket

Deity: Apah, god of Water

Indian (sidereal) zodiac: Dhanus

21 Uttara Ashadha, “Later invincible”

In the constellation of Sagittarius.

Lord: Surya (The Sun)

Symbol: Elephant tusk, small bed

Deity: Visvedevas (Universal Gods)

Indian (sidereal) zodiac: Dhanus – Makara

22 Shravana, “hearing” or “listening”

In the constellation of Aquila.

Lord: Chandra (The Moon)

Symbol: Ear or Three Footprints

Deity: Vishnu (Preserver of the Universe)

Indian (sidereal) zodiac: Makara

23 Dhanishta, “most famous”, also Shravishthā “swiftest”.

In the constellation of Delphinus.

Lord: Mangal (Mars)

Symbol: Drum or flute

Deity: Eight vasus (Deities of earthly abundance)

Indian (sidereal) zodiac: Makara – Kumbha

24 Shatabhishak, “requiring a hundred physicians”.

In the constellation of Aquarius.

Lord: Rahu (north lunar node)

Symbol: Empty circle, 1,000 flowers or stars

Deity: Varuna, god of cosmic waters, sky and earth

Indian (sidereal) zodiac: Kumbha

25 Purva Bhadrapada, “the first of the blessed feet”.

In the constellation of Pegasus.

Lord: Guru (Jupiter)

Symbol: Swords or two front legs of funeral cot, man with two faces

Deity: Ajaikapada, one-footed aspect of Shiva

Indian (sidereal) zodiac: Kumbha – Meena

26 Uttara Bhadrapada, “the second of the blessed feet”.

In the constellation of Andromeda.

Lord: Shani (Saturn)

Symbol: Twins, back legs of funeral cot, snake in the water

Deity: Ahirbudhnya, serpent or dragon of the deep

Indian (sidereal) zodiac: Meena

27 Revati, “prosperous”.

In the constellation of Pisces.

Lord: Budh (Mercury)

Symbol: Fish or a pair of fish, drum

Deity: Pushan, nourisher, the protective Deity

Indian (sidereal) zodiac: Meena

This was a brief list of the 27 Nakshatras (constellations) in Jyotish, Indian Vedic Astrology.

What do you think of this occult knowledge? Let us know in the comment section below, subscribe for more and share the post!!!

Video version here:

Nakshatras, the 27 Lunar Mansions in Jyotish – Indian Vedic Astrology – An Introduction

Interesting sources, additional info, images, credits, attributions and other points of views here:

Elemental Energy and how to use it, check our course here: https://www.udemy.com/course/elemental-energy-for-success-and-well-being/?referralCode=A680413E03BEAD96E744

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https://www.facebook.com/groups/1372429986896515

Links and References:

https://en.wikipedia.org/wiki/Nakshatra

https://en.wikipedia.org/wiki/List_of_Nakshatras

https://en.wikipedia.org/wiki/Abhijit_(nakshatra)

https://en.wikipedia.org/wiki/Asterism_(astronomy)

https://www.astroved.com/astropedia/en/nakshatra

Pics:

https://en.wikipedia.org/wiki/Nakshatra#/media/File:Nakshatras.jpg

https://pixabay.com/photos/lagoon-nebula-messier-8-ngc-6523-11143

https://pixabay.com/photos/milky-way-galaxy-stars-night-sky-4416194

https://pixabay.com/photos/moon-moon-phases-sky-8006703

Posted on 10/10/202410/10/2024 by ALKEMYSTICA — Leave a comment

Into the Darkness – Exploring the 7 Underworlds in Hindu Cosmology

Beneath the surface of the Earth, hidden away from the light of the sun, lies a labyrinthine world of shadows, serpents, and untold secrets—the Seven Underworlds of Hindu cosmology. Known as the Sapta Patalas,

According to some, these realms are more than mere myths; they are actual physical worlds where magic reigns supreme, treasures glitter in the dark, and powerful entities hold sway over mysteries both ancient and forbidden. For centuries, the sages and seers of India have whispered of these realms, each a layer deeper into the cosmic unknown, each a veil concealing a greater truth.

In this short essay, we will describe the Sapta Patalas, or 7 underworlds and give some general characteristics about each one including who rules over these realms and what one might find, should they chose to visit.

So Journey with us into the depths of the Sapta Patalas, where every step descends deeper into the esoteric, and where the line between myth and reality blurs into shadow.

Before we get started, let’s look into the geography of these 7 underworlds or sapta patalas to understand where exactly they are. To understand this we have to delve a bit deeper into Vedic cosmology, getting familiar with some terminology and having a more complete understanding overall of the system surrounding this topic.

In Hindu cosmology realms, worlds or planets are called “lokas”.

There is debate among scholars about these lokas in reference to their existence. Some interpretations refer to psychological states, others lend to states of consciousness, others use the lokas as metaphors for spiritual development and others believe them to be actual, physical, tangible places that can be visited with extraordinary or mystical means. Some scholars believe that the higher realms are non-physical and the lower down you go, the more you fall into material matter.

Whatever your belief, this video will shed light on these 7 underworlds.

There are 14 lokas in total – 7 above, 7 below and grouped into Urdhva loka (the higher realms, madhva or bhu loka – the middle realms and adho lok, the lower realms. – and if you’re familiar with yoga asanas, you will remember urdhva mukha svanasana and adho mukha svansana – upward and downward facing dog poses.

There are 7 Vyahrtis, or upper worlds . These are Satya, tapa, jnana, mahar, svarga, bhuvar, bhu. The upper realms, are inhabited by gods (Devas), sages, and celestial beings. These are realms of light and divine presence, including Indra’s realm, Brahma Loka (the abode of Brahma), and Vaikuntha (the abode of Vishnu).

Bhu Loka or the (Earthly Realm) is the first of these worlds, lying in the middle. This is the plane of existence for humans, animals, and plants. This is our world, where the physical and material existences are experienced.

Then there is patal loka:

Patala Loka (Underworld Realms)– The lower realms, consisting of the seven underworlds collectively known as the Sapta Patalas. These underworlds lie beneath Bhu Loka, each stacked upon the next, like layers beneath the surface of the Earth.
Naraka – these are the hellish worlds below patala loka, in which there are 28. This is last realm – the Naraka (the hellish realms), in which your soul is tormented based on the crimes you committed.

28 Narakas: Tamisra, Andhatamisra, Raurava, Maharaurava, Kumbhipaka, Kalasutra, Asipatravana, Sukaramukha, Andhakupa, Krimibhojana, Samdamsa, Taptasurmi, Vajrakantaka-salmali, Vaitarani, Puyoda, Pranarodha, Visasana, Lalabhaksa, Sarameyadana, Avichi, Ayahpana, Ksharakardama, Raksogana-bhojana, Sulaprota, Dandasuka, Avata-nirodhana, Paryavartana, and Suchimukha

In the Bhágavata and Padma P. they are named Atala, Vitala, Sutala, Talátala, Mahátala, Rasátala, and Pátála. The Váyu has Rasátala, Sutala, Vitala, Gabhastala, Mahátala, Śrítala, and Pátála. There are other varieties.

So lets have a look at these 7 underworlds:

1. Atala loka:

Atala is the first and uppermost of the seven underworlds, situated just below the earthly realm (Bhu Loka). It is described as a vast, beautiful land with luxurious cities and a mild climate. It is a realm filled with illusions and magical enchantments and known for its pleasures and opulence, providing a paradise-like existence for its inhabitants, who live in grand palaces with rich food, music, and enjoyment. The surface of the ground is black.

Ruler:
Bala, a son of the demon king Maya Danava who created 96 kinds of mystic power, rules over Atala Loka. He is known for his great strength and mystical powers. According to the Bhagavata Purana (Canto 5, Chapter 24), Bala possesses a unique power which allows him to control and influence others’ minds.
He is also said to have created three kinds of women by simply yawning—Swairinis (independent women who marry from their own group), Kamini (passionate women who marry from any group), and Pumshcalis (unchaste women who change husbands one after another)—Any man who enters Atala will be at the whim of these women, who seduce them with intoxicating beverage made with a drug known as hāṭaka [cannabis indica] and draw them into sensory pleasures.
Inhabitants:
The Atala Loka is inhabited by powerful demons, Asuras, and mystical beings who indulge in sensual pleasures that are considered unmatched, filled with material comforts and sense gratifications that are beyond earthly experiences.

2. Vitala loka:

Vitala is the second realm beneath the Earth. It is a dark, mysterious land filled with rivers of liquid gold and precious minerals. The water in this realm is said to have alchemical properties, and the air is filled with exotic fragrances. Vitala is depicted as a place of both danger and opulence, where sorcerers and mystical beings conduct various magical experiments. The soil is pale white.

Ruler:
Vitala Loka is ruled by the god Bhava (a form of Shiva), who resides here with his consort, Bhavani. It is said that when they have intercourse, their secretions creates a chemical which, when heated by fire can produce gold. He resides here with his followers and protects the realm from evil influences. He is worshiped by both demons and demi-gods alike.
Inhabitants:
Inhabitants of this realm include Bhutas (spirits), Pisachas (flesh-eating demons), and mystical alchemists who use the resources of the realm for their experiments.

3. Sutala Loka:

Sutala is the third of the seven underworld realms and is described as a highly opulent realm with an abundance of wealth, gems and many grand palaces and gardens. It is considered even more luxurious than the heavenly planets (Svarga Lokas). The realm is described as free from diseases, old age, and suffering, making it a place of immense wealth and comfort.

Ruler:
Sutala is ruled by the great son of Mahārāja Virocana, Bali Mahārāja, who is celebrated as the most pious and benevolent king, who was granted sovereignty over this realm as a gift by Lord Vishnu. in His incarnation as Vamanadeva, the dwarf avatar. As a result of Bali’s devotion and piety, Lord Vishnu promised to guard the gates of Sutala Himself, and thus, it is a well-protected realm.
Inhabitants:
Sutala is populated by the followers of King Bali, including Danavas, Daityas, and other devotees of Lord Vishnu. Despite being a realm of the underworld, it is a spiritually advanced and prosperous place.
Detailed descriptions of Sutala can be found in the Bhagavata Purana (Canto 5, Chapter 24), which recounts the story of King Bali and his boon from Vamana.

4. Talatala Loka:

Talatala is the fourth realm and is described as a dark, mysterious world filled with powerful magical beings. It is portrayed as a world of sorcery, advanced weaponry, and mystic technology. It is characterized by its hidden underground cities and palaces where powerful beings conduct magical experiments and possess advanced mystical knowledge. It is filled with illusions, traps and dark magical practices. Everything here is deceptive and seemingly unreal.

Ruler:
Talatala is ruled by the Danava demon architect Maya, who is a master of sorcery and illusion and an architect of marvelous cities and palaces. He is known for his architectural prowess and magical powers, capable of creating magnificent structures, illusions, and magical devices. Maya is a devotee of Shiva and receives divine protection for his realm.
Inhabitants:
This realm is populated by sorcerers, alchemists, and other beings who practice dark arts and wield powerful spells and weaponry.

5. Mahatala Loka

Mahatala is the fifth realm of the underworld and is associated with secrecy, hidden treasures, and the protection of the Nagas. It is characterized by its vast subterranean regions filled with serpents and reptilian beings. The realm is depicted as having a dark, hot, and humid environment. It is known for its massive snake pits, caves, vast underground rivers and serpentine tunnels and caves, where these serpents dwell. The terrain and ground is sandy.

Ruler:
The Nagas (serpent beings) are the primary inhabitants and rulers of Mahatala. This realm is specifically ruled by the great serpent Krodhavasha, a powerful Naga king, who is the progenitor of many races of serpents. His offspring include many of the most powerful and fearsome Nagas in Hindu mythology.
Inhabitants:
It is the abode of many-powerful, hooded snakes, descendants of Kadrū, who are always very angry. The great snakes who are prominent are Kuhaka, Takṣaka, Kāliya and Suṣeṇa. The snakes in Mahātala are always disturbed by fear of Garuḍa, the carrier of Lord Viṣṇu, but although they are full of anxiety, some of them nevertheless sport with their wives, children, friends and relatives.

6. Rasatala Loka

Rasatala is the sixth underworld realm and is depicted as a dark, terrifying place filled with great fortresses and oceans which is home to the demons races the Daityas, children of the cruel Diti (giants) and Danavas, children of Danu and armies of demons are constantly plotting against the Devas.

These beings are known for their strength and valor and are considered eternal enemies of the gods. It is considered one of the lowest realms and is filled with dense darkness, inaccessible to light. The beings in Rasatala are constantly engaged in war and conflict. The terrain and ground is rocky.

Ruler:
Rasatala is ruled by the powerful demon lords, the sons of Nivata-Kavachas and Kalayavanas. They are mortal enemies of the gods and are described as fearsome warriors who challenge the devas (gods) in battles.They hide in Rasatal, because even though they are very strong, they are afraid of Indra.
Inhabitants:
The inhabitants include various classes of demons, giants, and other terrifying beings. They are known for their strength, magical abilities, and enmity towards the gods.
7. Patala (Nagaloka)

Patala, the seventh and deepest underworld, is often synonymous with “Nagaloka,” the abode of the Nagas. It is described as a place of immense wealth, a highly luxurious realm, illuminated by jewels and precious stones on the hoods of the serpent beings. Despite being the lowest of the Sapta Patalas, it is considered a place of beauty and splendor, filled with palaces, beautiful gardens, rivers, and pleasant atmospheres. There are many beautiful, flourishing cities here and It is known for its glowing pearls, gemstones, and exotic fragrances. The ground is golden.
As per the SB, There are beautiful groves and streams and lakes where the lotus blows; and the skies are resonant with the Koïl’s song. Splendid ornaments, fragrant perfumes, rich unguents, the blended music of the lute and pipe and tabor; these and many other enjoyments are the common portion of the Dānavas, Daityas, and snake-gods, who inhabit the regions of Pātāla.
Ruler:
The great serpent king Vasuki, who is often depicted with multiple hoods and is one of the most famous Nagas, rules Patala. This realm is also protected by Ananta (Shesha), the thousand-headed serpent whose eyes resemble a red lotus and who serves as a bed for Lord Vishnu. Ananta is said to live in the lower regions of Patala and is revered as a divine protector.
Inhabitants:
Patala Loka is inhabited by Nagas, snake-like beings of immense power, beauty, and wisdom. There there are many demoniac serpents, the masters of Nāgaloka, such as Śaṅkha, Kulika, Mahāśaṅkha, Śveta, Dhanañjaya, Dhṛtarāṣṭra, Śaṅkhacūḍa, Kambala, Aśvatara and Devadatta. The chief among them is Vāsuki. They are all extremely angry, and they have many, many hoods — some snakes five hoods, some seven, some ten, others a hundred and others a thousand. These hoods are bedecked with valuable gems, and the light emanating from the gems illuminates the entire planetary system of bila-svarga. They are often have mystical abilities, including shape-shifting and controlling various elements of nature.

So How can one reach the sapta patalas? Some texts mention the idea of these lokas as spiritual realms or dimensions that can be accessed through meditation, yoga, or other spiritual practices.

Some also say that you must be born into one of these places, that after reincarnation, you will go to the place that is aligned to your thoughts and energy at the moment.

Yet, other sources state that there are entrances, portals, to other realms that are spread across the Earth. Entrances similar to what one might find when searching for Agartha. And some entrances that are heavily guarded and that can only be accessed by having the right information, knowing the right people, or, in terms of modern day terminology – high security clearance.

How do we know there isn’t something more? What is the connection between military or government officials and the so called, grey aliens? Or any alien or reptilian race? Perhaps it is just conspiracy theory, but could the military have advanced technology that permits travel to these underworlds? Travel only by high authority figures or politicians, or by military captains that have authorization to enter such places?

We may never know.

In conclusion, The Sapta Patalas are described as realms of vast diversity, ranging from opulent paradises to dark, mysterious underworlds filled with magical beings, demons, serpents, and rulers with extraordinary powers. Each loka has its own unique environment, inhabitants, and rulers who maintain control over their domain. Despite being part of the underworld, these realms have their own significance, demonstrating the complex and multi-layered structure of the cosmos as envisioned in Hindu cosmology.

So what do you think? Do you think these are physical places that can be visited? Or states of consciousness, accessible only through meditation, astral travel or remote viewing?

What would you do if you encountered a Naga King? Share your thoughts and comments in the comment box below and thanks for reading!

Video version here:

Into the Darkness – Exploring the 7 Underworlds in Hindu Cosmology

Interesting sources, additional info, images, credits, attributions and other points of views here:

Elemental Energy and how to use it, check our course here: https://www.udemy.com/course/elemental-energy-for-success-and-well-being/?referralCode=A680413E03BEAD96E744

Book a Tarot reading here: https://suryaholistictarot.com/book-a-reading/

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https://www.facebook.com/groups/1372429986896515

LINKS, REFERENCES AND PICS:

Srimad Bhagavatam 5:24:16

Vishnu Purana Book 2, chapter 5

Markandeya Purana Chapter 57

Mahabharata (Udyoga Parva, Chapter 101)

https://www.mahakavya.com/vayu-puran-english/ (p335)

https://en.wikipedia.org/wiki/Loka#/media/File:Lower_seven_Lokas_purana.png

https://en.wikipedia.org/wiki/Naraka

https://en.wikipedia.org/wiki/Patala

https://www.wisdomlib.org/hinduism/book/vishnu-purana-wilson/d/doc115967.html

https://www.wisdomlib.org/hinduism/book/the-padma-purana/d/doc364126.html

https://www.wisdomlib.org/definition/patala#purana

https://www.wisdomlib.org/hinduism/book/vishnu-purana-wilson/d/doc115965.html

https://sacred-texts.com/hin/vp/vp063.htm

https://vaniquotes.org/wiki/In_Atala_there_is_a_demon,_the_son_of_Maya_Danava_named_Bala,_who_created_ninety-six_kinds_of_mystic_power._Some_so-called_yogis_and_svamis_take_advantage_of_this_mystic_power_to_cheat_people_even_today

https://www.jatland.com/home/Udyoga_Parva/Mahabharata_Book_V_Chapter_101

https://en.wikipedia.org/wiki/Udyoga_Parva

Posted on 09/14/202409/14/2024 by ALKEMYSTICA — Leave a comment

Cycles of Time in Vedic Cosmology – The 4 Yugas – Part 1

Hindu Vedic texts describe four Yugas (world ages) in a Yuga Cycle—Krita (Satya) Yuga, Treta Yuga, Dwapara Yuga, and Kali Yuga—where, starting in order from the first age, each Yuga’s length decreases by one-fourth (25%), giving proportions of 4:3:2:1

As a Yuga Cycle progresses through the four Yugas, each Yuga’s length and humanity’s general moral and physical state within each Yuga decrease by one-fourth.

Each Yuga is characterized by varying degrees of virtue and vice, wisdom and ignorance, and dharma (righteousness) and adharma (unrighteousness).

1. Satya Yuga (The Age of Truth)

Satya Yuga, also known as the Golden Age or the Age of Truth, is the first and most revered of the Yugas. It is characterized by a time of truth, virtue, and divine presence. In this era, humanity is said to live in harmony with the divine, and righteousness prevails. The divine essence is fully manifest, and people are endowed with immense wisdom and spiritual purity. The moral and ethical standards are at their highest, and there is no need for religious practices or rituals since truth and righteousness are innate.

In this age, the human lifespan is said to be the longest, and there is no suffering or conflict. The concept of Dharma is fully realized, and the divine is perceived directly by all. The natural world is in its prime, reflecting the purity and perfection of this age.

2. Treta Yuga (The Age of Treta)

Following Satya Yuga is Treta Yuga, often referred to as the Silver Age. This period marks a gradual decline in virtue and an increase in the need for religious practices and rituals to maintain Dharma. Although righteousness still prevails, it is somewhat diminished compared to the previous age. In Treta Yuga, humanity begins to experience the emergence of moral and spiritual decay.

In this era, the lifespan of human beings decreases, and the divine presence becomes less direct. The need for sacrifices, rituals, and religious observances arises to uphold Dharma and compensate for the growing imperfections. The epic Ramayana is set in Treta Yuga, reflecting the narrative of divine intervention and the heroic struggle to restore righteousness.

3. Dwapara Yuga (The Age of Dwapara)

Dwapara Yuga, or the Bronze Age, represents a further decline in the moral and spiritual quality of humanity. During this age, virtue and righteousness are significantly diminished, and the human experience becomes more fraught with conflict and suffering. Dharma and adharma are in constant flux, and the balance between them becomes more precarious.

In Dwapara Yuga, the lifespan of human beings continues to decrease, and religious practices become more complex and ritualistic. The Mahabharata, another epic of the Vedic tradition, is set in this age, depicting the moral and ethical challenges faced by individuals and societies. The epic highlights the role of divine intervention and the consequences of human actions in the struggle to restore righteousness.

4. Kali Yuga (The Age of Darkness)

The final Yuga is Kali Yuga, often referred to as the Age of Darkness or the Iron Age. This era is characterized by the greatest decline in virtue and the predominance of adharma. In Kali Yuga, humanity experiences the greatest suffering, ignorance, and moral corruption. The divine presence is least apparent, and the human lifespan is the shortest.

The principles of Dharma are greatly obscured, and the world is marked by conflict, deceit, and chaos. Religious practices become increasingly necessary as a means to combat the pervasive ignorance and evil. Kali Yuga is believed to be the current age, and according to tradition, it will eventually lead to the end of the cosmic cycle, after which a new cycle of Satya Yuga will begin.

What do you think about the 4 Yugas of Vedic Cosmology? Post your comments below and share the post!!!

Video version here:

Cycles of Time in Vedic Cosmology – The 4 Yugas – Part 1

Interesting sources, additional info, images, credits, attributions and other points of views here:

Elemental Energy and how to use it, check our course here: https://www.udemy.com/course/elemental-energy-for-success-and-well-being/?referralCode=A680413E03BEAD96E 744

Book a Tarot reading here: https://suryaholistictarot.com/book-a-reading/

Check our soundtrack here:
https://lennyblandino.bandcamp.com/track/nivuru-synthetic-waves

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http://lennyblandino.com/

https://www.staciebronson.com /

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