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10 POWERFUL SYMBOLS IN MAGIC AND ALCHEMY AND WHAT THEY MEAN

10 Powerful Symbols in Magic and Alchemy and What They Mean

Magic and Alchemy have long been intertwined with symbols—visual keys that unlock hidden energies, connect the mundane with the mystical, and serve as conduits for personal transformation. Whether used in rituals, meditation, or talisman creation, these symbols carry meanings that have evolved over centuries, transcending cultures and belief systems. In this article, we’ll explore ten powerful symbols in magic—from the pentagram to the labyrinth—and delve into their origins, interpretations, and practical uses in modern esoteric practices.

1.The Pentagram

      Origins and History:
      The pentagram, coming from the Greek word pentagrammon, is a five-pointed star, its perhaps one of the most recognized symbols in magical and mystical traditions. Its origins stretch back to ancient civilizations, being found in places such as Sumerian pottery, found in the Liangzhu culture in China and in Chinese musical texts, found on vases from ancient Greece and by the Pythagoreans, who saw mathematical and geometric perfection in the shape. Over time, it evolved into a potent emblem in both Western occultism and modern Pagan traditions, with the first documents depicting pentacles being the 16th-century grimoires called the Heptameron  and the Key of Solomon. Pentacles can also be found in Tarot and relate to the earth element, or material world.

      Meaning and Interpretation:

      The pentagram is often associated with balance and protection. Each of its five points can represent the five elements: earth, air, fire, water, and spirit, symbolizing the integration of the material with the spiritual. In many magical practices, the pentagram is used as a protective talisman—a barrier against negative energies and often used in ritual space to create sacred boundaries. Its duality is also significant; a reversed pentagram has a tendency to be misinterpreted as a symbol of evil, however it can symbolize a descent into the material or the darker aspects of existence, being used in specific rituals of manifestation and earth-based focus.

      In this way, the inverted pentagram is sometimes reclaimed as a symbol of personal transformation and the inversion of oppressive power structures.

      Modern Uses:

      • Protection: Carved into doorways or drawn on paper as a means to shield a space from unwanted energies.
      • Meditation: Focused upon to balance the physical and spiritual realms, fostering a sense of wholeness and grounding.
      • Ritual Work: Used in circle casting to create sacred spaces and establish a connection with elemental forces.

      2. The Ankh

      Origins and History:
      The Ankh, also known as the “key of life,” is an ancient Egyptian symbol resembling a cross with a loop at the top. It is one of the most enduring symbols from ancient Egypt, representing life, immortality, the union of opposites, and the flowing balance of masculine and feminine energy.

      Ancient Egyptian gods are often depicted holding the ankh, showing their role as life-givers and sustainers of cosmic order.

      Depicted in the hands of gods and pharaohs alike, the Ankh was a symbol of divine power and cosmic balance.

      Meaning and Interpretation:
      At its core, the Ankh signifies the eternal nature of life and the interconnectedness of all existence. It is often seen as a key to unlocking the mysteries of the universe and understanding the cyclical nature of life and death. The loop symbolizes the sun, the giver of life, while the vertical line represents the connection between the earthly and the divine.

      In modern esoteric work, the ankh is used to channel divine energy and is believed to enhance spiritual awareness and healing.

      Modern Uses:

      • Amulets: Worn as jewelry to enhance vitality and spiritual well-being.
      • Meditation Tools: Used to focus energy during meditation sessions, aiding in the contemplation of life’s mysteries.
      • Art and Decor: Integrated into home decor to remind inhabitants of the eternal cycle of life and the presence of the divine in everyday life.

      3. The Triple Moon

      Origins and History:
      The Triple Goddess is a central archetype in modern Paganism and Wicca, embodying the three primary stages of a woman’s life: Maiden, Mother, and Crone. While the concept has roots in classical mythology (such as the Greek Moirai or the Roman Fates), it was popularized in modern occultism by writers like Robert Graves and Doreen Valiente. This tripartite goddess structure represents not only the feminine life cycle but also the cycles of the moon and the natural rhythms of life.

      Meaning and Interpretation:

      • The Maiden symbolizes youth, new beginnings, curiosity, and growth—corresponding to the waxing moon.
      • The Mother represents fertility, nurturing, creation, and abundance—aligned with the full moon.
      • The Crone is the experienced and wise elder, symbolizing endings, introspection, transformation, and death—associated with the waning moon.

      The archetypes (Maiden/Mother/Crone) are sometimes associated with different Goddesses from various cultures as being aspects or phases of them, such as the Greek goddesses Artemis (the Maiden), Selene (the Mother), and Hecate (the Crone).

      Together, they reflect the eternal cycle of birth, life, death, and rebirth, echoing nature’s rhythms and the lunar phases. The Triple Goddess is also a powerful symbol of divine femininity, sacred transformation, and intuitive wisdom.

      Modern Uses:

      • Rituals: Honored during full moons and sabbats as a representation of feminine energy and natural cycles.
      • Altars: Practitioners often place three candles or statues representing each aspect of the goddess.
      • Personal Reflection: Used as a framework for understanding one’s own phases of life or for journaling and shadow work.
      • Lunar Magic: The Triple Goddess is invoked during moon rituals to align with different phases of growth, manifestation, and release.

      For more information and to delve deeper into the meaning of the triple moon, you can check this video here.

      4. The Vesica Piscis

      Origins and History:
      The Vesica Piscis is an ancient geometric symbol created by the intersection of two equal circles, where the center of each lies on the circumference of the other. The resulting almond shape also called a “mandorla” in Italian, has been found in sacred art and architecture dating back thousands of years, from ancient Christian iconography to Egyptian and Pythagorean symbolism.

      The term was popularized by the 16th-century German artist Albrecht Dürer. And the Latin phrase vesica piscis, meaning “fish bladder,” is a direct translation of the German word Fischblase, which originally described the curved, fish-bladder-like shapes found in Gothic window tracery.

      Meaning and Interpretation:
      At its core, the Vesica Piscis represents the union of opposites: the merging of dualities such as masculine and feminine, spiritual and material, or conscious and unconscious. This overlapping area is considered the “birthplace” of creation—symbolizing the divine womb from which all existence emerges. In sacred geometry, it’s a gateway between realms—a liminal space that represents balance, potential, and manifestation.

      The Vesica is also deeply linked to the sacred feminine, as its shape resembles the yoni or vulva, reinforcing its symbolism of fertility, divine birth, and creation.

      The most common uses of the vesica piscis can be seen in Christianity, representing the womb. It can also be seen in the Flower of Life and the Merkaba.

      Modern Uses:

      • Meditation and Visualization: Used as a portal or energetic gateway in visual meditations to connect with higher realms or divine knowledge.
      • Sacred Geometry: Incorporated into spiritual diagrams or mandalas to illustrate balance, divine unity, and harmony.
      • Art and Architecture: Frequently found in stained glass windows, spiritual artwork, or altar designs to invoke sacred symmetry.
      • Spiritual Symbolism: Used by mystics and occultists as a visual key to understanding the blending of dualities and the emergence of spirit into matter.

      5. The Ouroboros

      Origins and History:
      The Ouroboros, depicted as a serpent or dragon eating its own tail, is one of the oldest mystical symbols, with roots in ancient Egyptian, Greek, and alchemical traditions. The term derives from Ancient Greek οὐροβόρος, from οὐρά oura ‘tail’ plus -βορός -boros ‘-eating’.

      It symbolizes the cyclical nature of existence, the eternal cycle of birth, death, and rebirth, and the unity of opposites.

      Meaning and Interpretation:
      The Ouroboros represents infinity and the perpetual nature of the universe. It is a reminder that all beginnings have an end, and every end, in turn, is a new beginning. This symbol is particularly powerful in alchemical contexts, symbolizing the process of transformation where base materials are refined into something pure and exalted.

      One of the first known representations of the ouroboros, can be found on one of the shrines enclosing the sarcophagus of Tutankhamun. The symbol can also be found on the Seal of the Theosophical Society, founded in 1875, on A Transylvanian thaler minted under Gabriel Bethlen, featuring his portrait and coat of arms, with an ouroboros depicted at the center of the shield and on the Flag of the short-lived Italian Regency of Carnaro at Fiume.

      Modern Uses:

      • Spiritual Reflection: Meditating on the Ouroboros to understand the cyclical patterns in one’s life and to embrace change.
      • Alchemy and Transformation: Incorporating the symbol into rituals aimed at personal transformation or healing.
      • Artistic Expression: Used in jewelry, tattoos, and art as a representation of eternal cycles and unity.

      6. The Eye of Horus/Eye of Ra

      Origins and History:

      In ancient Egyptian tradition, the sun and moon were often described as the “eyes” of certain deities. For example, the right eye of Ra-Horus—a fusion of the gods Ra and Horus, also known as Ra-Horakhty—was associated with the sun, while the left eye was linked to the moon. The Egyptians sometimes referred to the moon as the “Eye of Horus” and the sun as the “Eye of Ra,” with Ra being the dominant solar deity in their pantheon. Both of these divine eyes were symbolized by the wedjat, a stylized human eye featuring the falcon-like facial markings of Horus.
      The Eye of Horus, is known as left wedjat eye or udjat eye and The eye of Ra is known as the right wedjat eye) These emblems have been used for millennia as protective signs and symbols of royal power, health, and restoration.

      Meaning and Interpretation:
      The ancient Egyptian god Horus is associated with the sky and represented as a falcon and recognized as the god of kingship, healing, protection, the sun, and the sky .He was thought to be the ruler of all Egypt. Ra was portrayed as a falcon and shared characteristics with the sky-god Horus. Ra is thought to have been the creator of all life.

      At times, these solar and lunar eyes were symbolically linked to Egypt’s red and white crowns. In some writings, the Eye of Horus appears to be used interchangeably with the Eye of Ra—though in other contexts, the Eye of Ra is a distinct symbol of the sun god Ra’s power, often personified as a goddess.

      Traditionally, the Eye of Horus represents protection, healing, and wisdom. The various parts of the eye were believed to correspond to different senses and aspects of the human body, thereby offering holistic protection. It also symbolizes the ability to see beyond the surface, tapping into hidden truths and inner wisdom.

      The Eye of Ra is celebrated for its remarkable power, a force believed to protect, purify, and transform, but also with the power to create.

      Modern Uses:

      • Protection Amulets: Frequently worn as jewelry to ward off negative energies and promote good health.
      • Divinatory Practices: Used in meditation or ritual work to enhance intuitive abilities and deepen spiritual insight.
      • Decorative Art: Integrated into home decor to infuse a space with ancient protective energies.

      7. The Tree of Life

      Origins and History:
      The Tree of Life is a universal symbol found in many spiritual traditions, including Kabbalah, Norse mythology, and various indigenous cultures. In the Kabbalistic tradition, it represents the structure of the universe and the path of spiritual ascent. The Tree of Life (Hebrew: עֵץ חַיִּים, ʿēṣ ḥayyim, or אִילָן, ʾilān, means tree is a diagram used in Rabbinical Judaism.

      It is commonly called the “Kabbalistic Tree of Life” to differentiate it from the Tree of Life mentioned in the Genesis creation story—where it appears alongside the Tree of the Knowledge of Good and Evil—as well as from the universal Tree of Life archetype found in various cultures.

      Meaning and Interpretation:
      The Tree of Life symbolizes the interconnectedness of all life, illustrating how each part of the universe is interwoven with every other. In Kabbalah, it is divided into ten sefirot (sphererot) (spheres), each representing a different aspect of existence—from divine wisdom to earthly manifestation. This symbol encourages balance, growth, and the pursuit of higher understanding.

      Modern Uses:

      • Spiritual Growth: Used in meditation to visualize the journey of the soul and the process of enlightenment.
      • Symbolic Art: Featured in personal art, tattoos, or home decor to remind practitioners of the interconnected nature of life.
      • Ritual Work: Incorporated into rituals to enhance clarity, balance, and unity in one’s spiritual practice.

      8. The Spiral

      Origins and History:
      The spiral is one of the oldest symbols known to humanity, found in prehistoric cave art, Celtic monuments, and ancient architecture. The word spiral comes from the Greek σπείρα (speíra) meaning “wreath, coil, twist and Its a recurring pattern across cultures is used as a symbol of evolution, growth, expansion and the unfolding of life. The spiral is what shapes our lives.

      Meaning and Interpretation:
      Spirals symbolize movement around a central point while gradually expanding outward. Spiritually, the spiral represents interconnectedness and the flow of energy originating from the source of creation.

      Long regarded as a sacred symbol, the spiral signifies growth, expansion, motion, and progress. It reflects the cyclical nature of evolution, where patterns repeat in rhythmic cycles. The spiral evokes an archetypal journey of transformation and growth, both in the physical and spiritual realms.

      There are Some ancients spirals that can be found around the world. One of the oldest known spiral carvings appears on the entrance stone at Newgrange, a prehistoric monument in County Meath, Ireland, dating back to around 3200 BC. Constructed during the Neolithic period, Newgrange predates both the Egyptian pyramids and Stonehenge.

      The Great Triple Spiral, or An Thríbhís Mhòr, symbolizes the three realms of the Gaelic cosmos: land, sea, and sky. This triple-spiral design is also known as the Triskele or Triskelion. Many ancient examples of this Celtic symbol have endured over time, carved into stone and found throughout Ireland, the British Isles, and Galicia.

      Modern Uses:

      • Meditative Focus: Gazing at a spiral can aid in centering the mind and opening up channels for creative and spiritual inspiration.
      • Energy Work: Employed in rituals to symbolize the flow of energy and the cyclical nature of transformation.
      • Decorative Symbolism: Incorporated into artwork, tattoos, and designs to serve as a reminder of growth and evolution.

      9. The Hexagram

      Origins and History:
      The hexagram, Often mistakenly identified only as the “Star of David, is a six-pointed geometric star figure formed by two overlapping triangles. It has been a potent symbol in many mystical traditions, most notably in Jewish Kabbalah as the Seal of Solomon, but It is also found in many other places.

      In Hindu and Buddhist iconography, it often represents the union of opposites. For example, In Sanskrit, the two elements are known as “Om” and “Hrim,” symbolizing humanity’s position between earth and sky. The downward-pointing triangle represents Shakti, the divine essence of feminine energy, while the upward-pointing triangle signifies Shiva, or Agni Tattva, embodying the concentrated force of masculine energy. Their sacred union forms a powerful symbol of Creation, representing the cosmic merging of male and female principles.

      The hexagram can be seen in certain churches and stained-glass windows, where it is sometimes referred to as the Star of Creation in Christian tradition. An early example, noted by Nikolaus Pevsner, appears in Winchester Cathedral, England, carved into one of the choir stall canopies around the year 1308.

      Interestingly, in Southern Germany you can find the Brauerstern (brewer’s star) – a symbol of the brewers guild – or the association of brewers and maltsters.

      Back in the middle ages brewing beer was considered a type of alchemy, – the mixing of water, fire and air, along with others being water, malt and hops. The hexagram was a sign of alchemy, symbolizing the reconciliation of the opposite elements of fire and water.

      The hexagram also protected again fire and demons in the middle ages – Fires were a common threat to medieval towns and there were always accidents when brewing beer so to ensure success they used the hexagram.

      Meaning and Interpretation:
      The hexagram symbolizes the harmony of dualities—the intersection of the spiritual and the material, the union of the masculine and the feminine, above and below, and the active and receptive forces of nature. In many occult traditions, it is used as a tool for invoking divine protection and balance. The interlocking triangles represent the convergence of energies that create unity and perfection.

      Modern Uses:

      • Magical Rituals: Employed in ceremonies and protective rituals to harness balanced energies.
      • Meditative Symbols: Focused upon during meditation to cultivate inner harmony and the integration of opposites.
      • Artistic Design: Popular in jewelry and art, serving as a constant reminder of the balance inherent in nature and the cosmos.

      10. The Labyrinth

      Origins and History:
      The labyrinth, also lightly synonymous to maze in English, has origins that can be traced back to ancient Crete. In Greek mythology, the Labyrinth (Ancient Greek: λαβύρινθος, romanized: Labúrinthos) is a complex, maze-like structure created by the famed inventor Daedalus for King Minos of Crete at Knossos. Its purpose was to imprison the Minotaur, the creature ultimately slain by the hero Theseus. Daedalus designed the Labyrinth so ingeniously that he himself barely managed to escape it after its completion.

      Today, the labyrinth as a symbol is not about reaching a destination but rather about the journey itself. It has been used in various cultures around the world as a tool for contemplation and transformation.

      Meaning and Interpretation:
      The labyrinth represents the path of life—a winding journey filled with unexpected turns, challenges, and moments of clarity. Unlike a maze, which is designed to confuse, the labyrinth offers a single, meditative path that leads inward. It invites practitioners to slow down, embrace the process of self-discovery, and trust that every twist and turn has purpose.

      Some famous labyrinths one can visit today include stonelabyrinths of Bolshoi Zayatsky Island, which are at least 2000-3000 years old, the Chartres Cathedral Labyrinth which is Located in France and dates back to 1205 and the Dunure Castle Labyrinth in Scotland, a modern labyrinth in the midst of castle ruins.

      Modern Uses:

      • Walking Meditations: Many spiritual traditions use labyrinth walking as a form of moving meditation, helping individuals focus their thoughts and release stress.
      • Ritual Spaces: A labyrinth can be drawn or constructed in a ritual space as a tool for introspection and healing.
      • Art and Sculpture: Incorporated into garden designs, public art, or personal meditation spaces to serve as a physical reminder of life’s journey and the importance of mindful progress.

      The realm of magic and esoteric arts is vast, and symbols serve as the shorthand of this mystical language. Symbols are found all around us in the most unlikely places. By tuning into our external world, we can embrace the energy of these ancient symbols and utilize them in our daily lives, tapping into the magic of these designs and patterns.

      Whether you’re drawn to the protective power of the pentagram, the eternal promise of the Ankh, or the transformative journey symbolized by the labyrinth, each emblem carries a rich history and a multitude of interpretations. By exploring these ten symbols, you can deepen your understanding of both ancient wisdom and your personal spiritual journey.

      May their wisdom illuminate the path to personal growth, balance, and transformation.

      So which is your favorite symbol on this list? Are there any other symbols you’ve had a personal experience with? Let us know in the comments below and share this post!!!

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      10 Powerful Symbols in Magic and Alchemy and What They Mean


      Interesting sources, additional info, courses, images, credits, attributions and other points of views here:

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      Links, Pics and References:

      https://en.wikipedia.org/wiki/Ankh

      https://en.wikipedia.org/wiki/Triple_Goddess_(Neopaganism)

      https://en.wikipedia.org/wiki/Ouroboros

      https://en.wikipedia.org/wiki/Horus

      https://en.wikipedia.org/wiki/Eye_of_Ra

      https://en.wikipedia.org/wiki/Tree_of_life_(Kabbalah)

      https://en.wikipedia.org/wiki/Hexagram

      https://en.wikipedia.org/wiki/Stone_labyrinths_of_Bolshoi_Zayatsky_Island

      https://www.thehourofwitchery.com/post/the-maiden-mother-crone-the-triple-goddess-explained

      https://mythcosmologysacred.com/wp-content/uploads/2020/07/Janice-Emmot-Creative-Project-Review.pdf

      https://www.entertheearth.com/seedoflife/

      https://jakadatoursegypt.com/the-eye-of-ra/

      https://spells8.com/sacred-spiral-meaning/

      http://www.brauerstern.de/html/brauerdarstellungen.html

      https://www.cathedrale-chartres.org/visite/

      https://www.atlasobscura.com/places/dunure-labyrinth

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      Myth and Symbolism of the Ouroboros

      The Ouroboros or Uroboros is an ancient symbol depicting a serpent or dragon eating its own tail. The ouroboros entered Western tradition via ancient Egyptian iconography and the Greek magical tradition. It was adopted as a symbol in Gnosticism and Hermeticism and most notably in alchemy.

      This ancient and enigmatic emblem holds a unique place in the pantheon of symbols, transcending cultural boundaries and time periods. Throughout history, the Ouroboros has been interpreted in various ways, reflecting the diverse and complex nature of human thought and creativity. In this essay, we will explore the origins, symbolism, and the profound implications of the Ouroboros.

      This symbol has roots in various cultures, including ancient Egypt, Greece, and China, dating back thousands of years.

      Ancient Egypt: The Ouroboros is often associated with ancient Egypt, where it symbolized the cycle of life, death, and rebirth. This symbol was closely linked to the sun-god Ra, who was believed to travel through the underworld at night, only to emerge renewed and rejuvenated each day. The Ouroboros, with its circular form, mirrored this eternal journey of the sun and the continuous cycles of existence.

      Greek Alchemy and Gnosticism: In Greek alchemical and Gnostic traditions, the Ouroboros symbolized the unity of opposites, such as life and death, creation and destruction, beginning and end. It was a powerful representation of the cyclical nature of existence and the eternal cycle of renewal.

      Chinese Tradition: While less known in the Western world, a similar symbol called the “Yuangong Shengzhi Jue” appears in Chinese Taoist alchemy. This symbol, also depicting a serpent or dragon in a circular form, is associated with the circulation of energy and the quest for immortality. It shares philosophical similarities with the Western interpretations of the Ouroboros, emphasizing the cyclical nature of life.

      The term Ouroboros derives from Ancient Greek oura ‘tail’ plus boros-‘eating’.

      The ouroboros is often interpreted as a symbol for eternal cyclic renewal or a cycle of life, death and rebirth.

      The snake’s skin-shedding symbolises the transmigration of souls. The snake biting its own tail is a fertility symbol in some religions: the tail is a phallic symbol and the mouth is a yoni or womb-like symbol.

      One of the earliest known ouroboros motifs is found in the Enigmatic Book of the Netherworld, an ancient Egyptian funerary text found in the tomb of Tutankhamun, in the 14th century Before Current Era.

      The text concerns the actions of Ra and his union with Osiris in the underworld.

      The Ouroboros is depicted twice on the figure: holding their tails in their mouths, one encircling the head and upper chest, the other surrounding the feet of a large figure, which may represent the unified Ra-Osiris (Osiris born again as Ra).

      Both serpents are manifestations of the deity Mehen, who in other funerary texts protects Ra in his underworld journey. The whole divine figure represents the beginning and the end of time.

      Like many Egyptian serpent deities, the Ouroboros represents the formless disorder that surrounds the orderly world and is involved in that world’s periodic renewal.

      The symbol persisted from Egyptian into Roman times, when it frequently appeared on magical talismans, sometimes in combination with other magical emblems.

      The 4th-century Current Era Latin commentator Servius was aware of the Egyptian use of the symbol, noting that the image of a snake biting its tail represents the cyclical nature of the year.

      According to the Egyptians, before the invention of the alphabet the Year was symbolized by a picture, a serpent biting its own tail because it recurs on itself.

      In Gnosticism, a serpent biting its tail symbolised eternity and the soul of the world. The Gnostic Pistis Sophia (circa 400 CE) describes the Ouroboros as a twelve-part dragon surrounding the world with its tail in its mouth.

      The famous Ouroboros drawing from the early alchemical text The Chrysopoeia of Cleopatra encloses the Greek words hen to pan, “The All is One”.

      Its black and white halves may perhaps represent a Gnostic duality of existence, analogous to the Taoist yin and yang symbol. In the Chrysopoeia of Cleopatra the Alchemist, we find one of the oldest images of the Ouroboros to be linked with the legendary opus of the alchemists, the philosopher’s stone.

      Cyprianus was also known as the Black Book of the Black School at Wittenburg, a textbook from the 18th century witches and sorcerers would get their spells from. Various figures are represented in animal form, one resembling a Ouroboros. The Black School at Wittenburg was purportedly a place in Germany where one went to learn the black arts.

      In Norse mythology, the Ouroboros appears as the serpent Jörmungandr, one of the three children of Loki and Angrboda. It grew so large that it could encircle the world and grasp its tail in its teeth.

      It is a common belief among the indigenous people of the tropical lowlands of South America that waters at the edge of the world-disc are encircled by a snake, often an anaconda, biting its own tail.

      The Ouroboros has certain features in common with the Biblical Leviathan. According to the Zohar, the Leviathan is a singular creature with no mate. “Its tail is placed in its mouth”. It is also described as “twisting around and encompassing the entire world”.

      In the Aitareya Brahmana, a Vedic text of the early 1st millennium BCE, the nature of the Vedic rituals is compared to “a snake biting its own tail.”

      Ouroboros symbolism has been used to describe the Kundalini. According to the medieval Yoga-kundalini Upanishad: “The divine power, Kundalini, shines like the stem of a young lotus; like a snake, coiled round upon herself she holds her tail in her mouth and lies resting half asleep as the base of the body”

      When Shakti is united with Shiva, she is a radiant, gentle goddess; but when she is separated from him, she turns into a terrible, destructive fury. She is the endless Ouroboros, the dragon biting its own tail, symbolizing the cycle of samsara.

      Swiss psychiatrist Carl Jung saw the Ouroboros as an archetype and the basic mandala of alchemy.

      Jung also defined the relationship of the ouroboros to alchemy:

      “The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposites. This ‘feedback’ process is ALSO a symbol of immortality since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself, and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he, therefore, constitutes the secret of the prima materia which – unquestionably – stems from man’s unconscious.”

      Some researchers also used the Ouroboros to illustrate the various scales of the universe, ranging from the subatomic at the tail, up to the supragalactic at the head, representing “the intimate links between the microworld and the cosmos, symbolised by the Ouroborus“, as tail and head meet to complete the circle.

      A school of Cybernetics affirms that living things maintain essential variables of the body within critical limits, with the brain as a regulator of the necessary feedback loops.

      Others apply the cybernetic Ouroboros principle to musical improvisation and self-indication, the logical processual notation for analysing and explaining self-producing autonomous systems and “the riddle of the living”.

      One of the most important characteristics observed in metabolic networks is that they produce themselves as Ouroboros Avatars. We envision that the ideas behind this equation, a unique kind of mathematical concept initially found in biology, would play an important role in the development of a true systemic theoretical biology.

      Second-order cybernetics, or the cybernetics of cybernetics, applies the principle of self-referentiality, or the participation of the observer in the observed, to explore observer involvement. The Ouroboros analogy is evident.

      The genus of the armadillo girdled lizard, Ouroborus cataphractus, takes its name from the animal’s defensive posture: curling into a ball and holding its own tail in its mouth.

      In Portuguese Uma pescadinha de rabo na boca “tail-in mouth little hake” and in Spanish La pescadilla que se muerde la cola, “the hake that bites its tail”, are proverbial expressions for circular reasoning and vicious cycles.

      Symbolism of the Ouroboros

      Infinity and Wholeness: The Ouroboros is often interpreted as a symbol of infinity, as it creates an unbroken circle or loop. This conveys the idea of completeness, unity, and the eternal nature of existence. It reminds us that life is a continuous cycle with no clear beginning or end.

      Transformation and Renewal: The act of the serpent consuming its own tail signifies self-renewal and transformation. It represents the idea that in order to grow and evolve, one must first let go of the old, much like a snake shedding its skin to reveal a fresh layer underneath.

      Unity of Opposites: The Ouroboros embodies the harmonious coexistence of opposites. It symbolizes the idea that life and death, creation and destruction, and other opposing forces are interconnected and interdependent, forming a harmonious whole. It promotes a holistic worldview that emphasizes harmony and balance.

      Timelessness and Immortality: This symbol suggests that time is cyclical rather than linear. It implies a sense of timelessness and immortality, as the Ouroboros continues its eternal cycle without end.

      Philosophical and Mystical Implications

      The Ouroboros has profound philosophical and mystical implications, inspiring contemplation on the nature of existence and the human condition.

      Embrace of Change: The Ouroboros teaches us that change is inevitable and necessary for growth. To achieve personal development, we must accept and embrace the cycles of life, including both its creative and destructive aspects.

      Pursuit of Self-Knowledge: The act of the serpent consuming its tail also represents introspection and self-discovery. It invites individuals to explore their inner depths and seek self-understanding.

      Whether viewed through the lens of ancient mythology, alchemical symbolism, or modern theories, the Ouroboros continues to inspire contemplation and wonder, inviting us to explore the mysteries of life, death, and rebirth at the deepest levels of human consciousness.

      In doing so, we gain insight into the profound wisdom embedded in this ancient symbol and its enduring relevance in our ever-evolving understanding of existence.


      The Ouroboros, as a symbol, does not inherently carry a positive or negative meaning. Instead, its interpretation and significance can vary widely depending on the context in which it is used and the cultural, philosophical, and practical perspective of the observer. Here are some common interpretations:

      Positive Symbolism:

      Eternal Renewal: In many interpretations, the Ouroboros represents eternal renewal and the cycle of life, death, and rebirth. This can be seen as a positive and hopeful symbol, emphasizing the potential for growth, transformation, and continuous renewal in life.

      Unity and Balance: The Ouroboros often symbolizes the unity of opposites and the interconnectedness of all things. This perspective can be seen as positive, promoting a sense of harmony and balance in the universe.

      Negative Symbolism:

      Cyclical Suffering: Some interpretations emphasize the cyclical nature of suffering and hardship, suggesting that individuals may be trapped in repetitive, negative patterns. In this pessimistic view, the Ouroboros could represent the idea that we are destined to face the same challenges and problems repeatedly, without the hope of lasting change. In such cases, the Ouroboros could be seen as a symbol of entrapment or stagnation.

      Existential Themes: In existentialist philosophy, the Ouroboros can be seen as a symbol of existential dread and the idea that life lacks inherent meaning. The eternal return of events and experiences can be viewed negatively when contemplating the idea of a universe without a predetermined purpose.

      Neutral Symbolism:

      Symbol of Nature: The Ouroboros can be seen as a neutral symbol representing the natural order of life, death, and renewal. It does not inherently carry positive or negative connotations but reflects the cyclical processes observed in the natural world.

      Ultimately, whether the Ouroboros is viewed positively, negatively, or neutrally, it depends on the personal lens through which it is examined. It is essential to consider the broader context and the specific interpretation when assessing its symbolism.

      In doing so, it is worth noting that it has appeared in various forms throughout history and across different cultures, and it has ALSO been featured in various works of art and masonry, even in modern culture. Here are a few notable examples:

      Modern Art and Pop Culture: The Ouroboros has made its way into modern art, literature, and popular culture. It can be found in contemporary art pieces, tattoos, and literature, often used to convey themes of self-discovery, personal transformation, and the cyclical nature of life.

      Medical Symbol: The Rod of Asclepius, a symbol associated with medicine and healing, features a serpent coiled around a staff. While not a traditional Ouroboros, this representation shares similarities, symbolizing health, healing, and the restoration of life.

      Codex Parisinus Graecus: This ancient Greek manuscript, dating back to the 10th century, features an illustration of the Ouroboros alongside alchemical and mystical texts.

      The Aztec Calendar Stone: While not a traditional Ouroboros, the Aztec Calendar Stone (or Sun Stone) features a serpent-like creature at its center, which could be interpreted as a similar concept of cyclical time.

      Alchemical manuscripts frequently feature the Ouroboros as a symbol of the cyclical nature of alchemical processes, transformation, and the unity of opposites.

      Here are a few alchemical manuscripts that include the Ouroboros:

      “The Chrysopoeia of Cleopatra” (Cleopatra’s Gold-Making): This ancient alchemical text attributed to Cleopatra The Seventh, includes depictions of the Ouroboros. It is one of the earliest known alchemical texts and is known for its symbolic and allegorical content.

      “The Rosarium Philosophorum” (The Rosary of the Philosophers): This medieval alchemical text, dating from the 16th century, contains a series of symbolic illustrations, some of which feature the Ouroboros. It explores the stages of the alchemical journey and the philosopher’s stone.

      “Atalanta Fugiens” by Michael Maier: This 17th-century alchemical work by Michael Maier includes a series of emblematic engravings, some of which feature the Ouroboros. It is considered one of the most intricate and symbolic alchemical texts of its time.

      “The Book of Lambspring”: This 16th-century alchemical text features a poetic and symbolic narrative accompanied by illustrations, some of which incorporate the Ouroboros. It is known for its allegorical storytelling.

      “The Splendor Solis” (The Splendor of the Sun): This 16th-century alchemical manuscript, attributed to Salomon Trismosin, contains a series of colorful and symbolic illustrations, with some depicting the Ouroboros. It is a notable work in the history of alchemy.

      “The Aurora Consurgens”: This alchemical manuscript, believed to date back to the 15th century, contains a collection of texts and illustrations, and some of them feature the Ouroboros. It explores the union of opposites and the process of transformation.

      Alchemy and Occult teachings have always been rich in symbolism and mysticism and the Ouroboros played a significant role in conveying the philosophical and practical concepts of many esoteric schools of thought.

      And you, what do you think about the Ouroboros? Did you find any new and obscure meanings that have not come to the surface yet?




      Video version and more Content here:

      https://youtu.be/vP9UG-3r3YY

      https://www.youtube.com/@alkemystica/videos

      Interesting sources, additional info and other points of views:

      https://en.wikipedia.org/wiki/Ouroboros

      alchemywebsite.com


      More info about the Ouroboros, additional images and attributions here:

      Monument in Ukraine

      https://commons.wikimedia.org/wiki/File:%D0%9F%D0%B0%D0%BC%27%D1%8F%D1%82%D0%BD%D0%B8%D0%BA_%C2%AB%D0%A1%D0%BB%D0%B0%D0%B2%D0%B8%C2%BB.14.JPG

      Ouroboros, City of Grove, Oklahoma

      https://www.cityofgroveok.gov/building/page/serpent-eating-tail-ouroboros

      Walter Ross Munro Mausoleum. Glencairn Parish Church, Kirklands. Dumfries and Galloway. Coat of Arms

      https://commons.wikimedia.org/wiki/File:Walter_Ross_Munro_Mausoleum._Glencairn_Parish_Church,_Kirklands._Dumfries_and_Galloway._Coat_of_Arms.jpg

      https://commons.wikimedia.org/wiki/File:Anstey_churchyard,_Leicestershire.jpg

      https://commons.wikimedia.org/wiki/File:Katarrhaktes_ouroboros.jpg

      Photo by Simon Garbutt

      https://commons.wikimedia.org/wiki/Category:Ouroboros#/media/File:Kilpeck_Details_of_Door_Arch.jpg

      Prayer Book from Ethiopia by

      https://commons.wikimedia.org/wiki/File:Livre_de_pri%C3%A8res_%C3%A0_Ragouel-Ethiopie.jpg

      Atalanta Fugiens

      https://commons.wikimedia.org/wiki/File:Michael_Maier_Atalanta_Fugiens_Emblem_14.jpeg Michael Maier, Public domain, via Wikimedia Commons

      Jeff Kubina, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons

      https://commons.wikimedia.org/wiki/File:Ornament_in_the_form_of_a_Dragon_Biting_His_Tail_LACMA_AC1995.252.22.jpg

      https://commons.wikimedia.org/wiki/File:Ottignies_-_dalle_fun%C3%A9raire_Bertout_de_Carillo_04.JPG

      https://commons.wikimedia.org/wiki/File:Ouroboros_on_a_cemetery_door_(cropped).jpg

      Swiertz, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons

      https://commons.wikimedia.org/wiki/File:Palazzo_della_ragione_di_Padova_12.jpg

      Colin Rose, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons

      https://commons.wikimedia.org/wiki/File:Porte_du_palais_royal_d%27Abomey-N%C2%B0_71.1893.45.6-Mus%C3%A9e_du_Quai_Branly_(6).jpg

      Ouroboros in a wall of the castle of Ptuj (Slovenija)

      https://commons.wikimedia.org/wiki/File:Ptuj_Castle_Ouroboros_27102006_01.jpg

      Detail of the ceiling of the “Room of the Seasons”, central part, allegory of the Year, Residenz, Munich, Bavaria, Germany.

      https://commons.wikimedia.org/wiki/File:Room_of_the_seasons_ceiling_detail_Residenz_Munich.jpg

      Salterio di corbie (iniziale istoriata), Amiens, Bibliothèque Municipale, 800 circa

      https://commons.wikimedia.org/wiki/File:Salterio_di_corbie_(iniziale_istoriata),_Amiens,_Biblioth%C3%A8que_Municipale,_Ms._18_f._46_recto,_800_circa.jpg

      Steinrelief mit Symbolen für Vergänglichkeit und Ewigkeit: eine Motte, von einem Ouroboros umgeben.

      https://commons.wikimedia.org/wiki/File:Sascha_Grosser_-_Motte_in_Stein.jpg

      Allegorie der Toskana

      https://commons.wikimedia.org/wiki/File:Sebastiano_Ricci_003.jpg

      Sebastiano Ricci, Public domain, via Wikimedia Commons

      Symbolical figure from Levi’s Haute magie

      https://commons.wikimedia.org/wiki/File:The_Open_court_(1887)_(14781669601).jpg

      Internet Archive Book Images, No restrictions, via Wikimedia Commons

      llustrations showing kings wearing gold crowns, represented by Uricus – a red-crowned and winged serpent – as King of the East; Paymon – a black cat-like animal with horns, long whiskers and tail – as King of the West; Maymon – a black bird – as King of the South; and Egyn – a black bear-like animal with a short tail – as King of the North. From Cyprianus, 18th century. Cyprianus is also known as the Black Book, and is the textbook of the Black School at Wittenburg, the book from which a witch or sorceror gets his spells. The Black School at Wittenburg was purportedly a place in Germany where one went to learn the black arts. Archives & Manuscripts Keywords: Occult; King; Birds; Magic; Snakes; Serpent; Demon; Bear; Monsters; Ursidae; Snake; Bird

      Image taken from

      https://wellcomecollection.org/search/works

      https://commons.wikimedia.org/wiki/File:The_serpent_Ouroboros,_from_Cyprianus,_18th_C_Wellcome_L0036620.jpg

      Tropenmuseum

      https://commons.wikimedia.org/wiki/File:Tropenmuseum_J_left_top_stone.jpg

      Raffigurazione del serpente uroboros che forma un circolo zodiacale intorno a un esagramma, ai cui angoli ed al centro sono disposti i simboli dei sette pianeti tradizionali.

      Incisione dal trattato Donum Dei dell’alchimista Abraham Eleazar, pubblicato a Erfurt.

      https://commons.wikimedia.org/wiki/File:Uroboro_cosmico.png

      Casa Carlini

      https://commons.wikimedia.org/wiki/File:Via_del_Proconsolo_12r-14r_angolo_via_dei_pandolfini,_casa_carlini_(gi%C3%A0_sede_stamperia_giunti),_portale_seicentesco_attr._al_dis._di_Giovanni_da_San_Giovanni,_03_libro_e_urboro_1.jpg