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La Coulobre – Legend of a Winged Creature in European Folklore

La Coulobre - Legend of a Winged Creature in European Folklore

La Coulobre, often translated as “dragon” or “serpent,” is central to the legend associated with the village of Fontaine-de-Vaucluse, southern France, with a cluzeau (a type of well or spring) called “the hole of La Coulobre”, still visible along the banks of the Dordogne river.

The village in which the spring is located was called “Vallis Clausa” (“closed valley”) in Latin, because of its topographical position. This in time became “Vaucluse”, from which the spring takes its name. In the Provençal dialect is called Fònt de Vauclusa, “the spring of the closed valley.”

According to local folklore, La Coulobre was a fearsome dragon that terrorized the region. This malevolent creature, described in various accounts as having a serpentine body and a menacing demeanor, was said to be both a physical and symbolic representation of chaos and destruction.

It was a winged creature, often depicted as a giant salamander, with a fetid breath. It was feared for its ability to terrorize the countryside, devouring young children and spreading disease.

She coupled with dragons that then abandoned her, forcing her to raise the small black salamanders to which she gave birth, on her own . She was desperate for a new husband and a father for her children, but her ugliness repulsed all suitors.

The Dragon’s Reign of Terror

The legend describes La Coulobre as a creature of immense power and malevolence. It was said to reside in the dark depths of the spring’s subterranean river system, emerging only to wreak havoc on the nearby inhabitants.

The dragon’s presence was marked by mysterious and disastrous events—cattle would disappear, crops would not grow, and the land would suffer from unnatural droughts. The Fontaine de Vaucluse, with its powerful flow and enigmatic depths, was believed to be La Coulobre’s lair.

The people of Vaucluse lived in constant fear of her. The dragon’s wrath was thought to be linked to the mysterious and unpredictable nature of the spring itself. The locals believed that the beast’s influence extended over the spring, controlling its flow and using it as a means to assert its dominance.

The Heroic Struggle

The legend takes a dramatic turn with the arrival of a heroic figure determined to vanquish La Coulobre and bring peace to the region. This hero is often depicted as a brave knight or a noble warrior, who, armed with courage and skills, embarks on a perilous quest to confront the dragon.

The hero’s journey is fraught with challenges, as he navigates the treacherous terrain of the Fontaine de Vaucluse, and delves into the dark and labyrinthine passages of the spring.

The confrontation between the hero and La Coulobre is the climax of the legend. The battle is described in vivid and dramatic terms, with the hero eventually emerging victorious. The dragon, defeated and slain, is said to have been driven away or killed, with its body either sinking into the depths of the spring or being cast out to prevent any further menace.

With La Coulobre vanquished, the region was said to experience a period of restoration and peace. The Fontaine de Vaucluse, once associated with fear and destruction, was now seen as a symbol of renewal and hope.

The spring continued to flow, but its waters were no longer tainted by the dragon’s malevolent influence. The land flourished, crops grew, and the village thrived.

Saint Véran and La Coulobre

A parallel legend tells that Saint Véran, bishop of Cavaillon, rid the Sorgue of a horrible Drac, a devil or dragon, La Coulobre, striking it down with his staff. This event is commemorated by a sculpture on the church square, depicting Saint Véran killing the beast.

The Sorgue is a river in Southeastern France. Its source is near the town of Fontaine-de-Vaucluse. It is the biggest spring in France and the fifth biggest in the world.

Saint Veranus of Cavaillon (died c. 590) was a French Saint, with a cultus in Italy.

Gregory of Tours writes of miracles performed by Veranus, including the expulsion of a dragon. He is also remembered as a leader in charitable works and as a patron of local monasteries, not only in France but also in Italy, particularly in the city of Albenga, where he was instrumental in the conversion of the people to Christianity.

There are various theories about the name La Coulobre:

It could be derived from the Latin word coluber (snake).

The Drac is a Ligurian divinity of tumultuous waters and the Coulobre owes its name to two Celto-Ligurian roots: Kal (stone) and Briga (hill). This is the cliff overlooking the spring which still holds the Vache d’Or (Golden Cow), the site of an ancient pastoral religion celebrating the strength and form of water and stone.

In antiquity it was a place of ritual offerings.

Petrarch’s Encounter

In the 15th century, the Italian poet Petrarch (Petrarca), reportedly encountered La Coulobre while walking along the Sorgue river with his beloved Laure.

The monster’s pestilential breath allegedly killed Laure, and Petrarch never recovered from the encounter.

Historical and Geological Background

The Fontaine de Vaucluse is a karst spring, where the water emerges from a subterranean river system.

The sheer volume of water, which can vary dramatically with the seasons, contributes to the spring’s impressive flow.

The site is nestled in a picturesque valley and is surrounded by lush greenery and towering cliffs, adding to its mystique.

This natural wonder has long been a source of inspiration and intrigue, both scientifically and culturally. Its unique features and the surrounding landscape have made it a significant location for geological study and artistic representation. But it is the legend of La Coulobre that truly enriches its lore.

In a nearby region, an Occitan legend tells of a huge winged reptile with an enormous mouth, horns, ears and claws that ended up in a druid’s hiding spot. It is said that the creature was so large that it attacked people and cattle, abducting them to devour them in its cave.

It was said that La Coulobre’s colossal force was behind the creation of the dangerous passage known as the Saut de la Gratusse, where whirlpools and strong currents led many a sailor to their untimely death.

Tale of the Nymph

A different tale recounts the story of a minstrel who fell asleep on the way to the spring and saw a nymph appear. She led him to the edge of the spring, which opened to let them descend to a meadow strewn with supernatural flowers.

The nymph showed seven diamonds to the minstrel. By lifting one of them, she made a powerful jet of water gush out. “Here,” she said, “is the secret of the spring of which I am the guardian. To make it swell I remove the diamonds. With the seventh, the water reaches the fig tree, which drinks only once a year.”

Then, she woke up the minstrel and disappeared.

Cultural and Symbolic Significance

The legend of La Coulobre and the Fontaine de Vaucluse is more than just a local story – it reflects broader cultural and symbolic themes.

Dragons and serpents are common motifs in mythology across various cultures, often representing chaos, danger or evil that must be overcome by a hero.

In French folklore, La Coulobre is part of a tradition of dragon legends that emphasize the importance of courage and the role of heroic figures in restoring balance.

These stories often serve as allegories for real-life struggles, highlighting the virtues of bravery, perseverance, and moral integrity.

The Fontaine de Vaucluse, with its mysterious and powerful spring, provides a fitting backdrop for such a narrative.

Moreover, it has become a symbol of the natural beauty and mystical allure of the region. The spring’s dramatic flow and the surrounding landscape evoke a sense of wonder and reverence, enhancing the impact of the story.

The Legacy of the Legend

Today, La Coulobre continues to captivate the imagination of visitors and locals alike.

The Fontaine de Vaucluse remains a popular destination for those seeking to experience its natural beauty and to explore the rich cultural heritage associated with it.

The legend has been preserved through various forms of storytelling, including literature, art, and local traditions.

It also highlights the enduring power of folklore to shape our understanding of natural landscapes. The story of the dragon and the hero reflects the human desire to find meaning in the natural world and its intricate relationship with it.

The legend underscores the idea that natural phenomena, such as springs and rivers, are not just physical entities, but also vessels of deeper symbolic meanings, standing as a testament to this interplay between the natural and the mythological.

The legend of La Coulobre also serves as a potent symbol of the triumph of good over evil. The hero’s victory over the dragon represents the overcoming of darkness and chaos, restoring order and harmony to the land.

This narrative resonates with timeless themes found in folklore and mythology, illustrating the universal struggle between heroic valor and destructive forces.

This essay provides a comprehensive look at the Legend of La Coulobre and its significance, exploring both the mythical narrative and its cultural impact.

It is a fascinating and eerie figure, symbolizing the power of myth, and offering a glimpse into the rich tapestry of cultural and natural heritage that defines the region and European folklore.

What do you think of the legend of La Coulobre, dragons and winged creatures? Let us know in the comment section and share the post!!!


Video version here:

La Coulobre – Legend of a Winged Creature in European Folklore


Interesting sources, additional info, images, credits, attributions and other points of views here:

https://www.grandsudinsolite.fr/1013–the-legend-of-la-coulobre.html

https://en.wikipedia.org/wiki/Fontaine_de_Vaucluse_(spring)

https://en.wikipedia.org/wiki/Veranus_of_Cavaillon

https://en.wikipedia.org/wiki/Sorgue

https://en.wikipedia.org/wiki/Petrarch

PICS:

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https://commons.wikimedia.org/wiki/File:Brooklyn_Museum_-_Fontaine_de_Vaucluse_-_Paul_Huet.jpg

https://commons.wikimedia.org/wiki/File:SaintV%C3%A9ran502.JPG

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https://vialucispress.wordpress.com/2019/05/25/the-saint-a-dragon-and-petrarch-too-dennis-aubrey/

https://pixabay.com/illustrations/book-adventure-snake-imagination-8794150

https://pixabay.com/illustrations/ai-generated-snake-reptile-head-7850729

https://pixabay.com/illustrations/lake-woman-goddess-of-lakes-7566031

https://pixabay.com/photos/snake-nature-reptile-wild-wildlife-2362212

https://pixabay.com/illustrations/photo-snake-reptile-species-fauna-7752725

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https://pixabay.com/photos/spotted-salamander-water-lily-6020288

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https://en.wikipedia.org/wiki/Petrarch#/media/File:Altichiero,_ritratto_di_Francesco_Petrarca.jpg

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The Labyrinth – Myths and Symbolism

The Labyrinth - Myths and Symbolism

The labyrinth, a symbol of intricate design and profound meaning, has captivated human imagination for millennia. Found in various cultures across the globe, from ancient civilizations to modern interpretations, the labyrinth represents a journey of transformation, a metaphorical path that intertwines myth, symbolism, and human experience. In this article, we delve into the origins, myths, and deep symbolism associated with the labyrinth, seeking to unravel its mysteries and understand its enduring significance.

Origins and Historical Context

The labyrinth’s origins can be traced back to antiquity, with evidence of labyrinthine patterns found in diverse cultures including ancient Greece, Egypt, India, and Mesoamerica.

The theme of the labyrinth leading to one’s destiny is most clearly illustrated in one of the best-known stories from Greek mythology: Theseus and the Minotaur.

The word Labyrinth comes from the Greek labyrinthos and describes any maze-like structure. A labyrinth is a single-path, non-branching route leading to the center and back out, making it easier to navigate.

A maze is a complex branching puzzle with multiple paths and directions. Even so, the terms labyrinth and maze are often used interchangeably.

The term “labyrinth” has come to denote any unicursal maze, regardless of shape. Socrates described a labyrinthine argument as one where the path seems to loop back to the start, reflecting the idea of a complex but navigable route.

Although early Cretan coins sometimes feature multicursal patterns, the unicursal seven-course “Classical” design became associated with the Labyrinth on coins as early as 430 BC.

This design was widely used to symbolize the Labyrinth, even though historical and literary accounts suggest the Minotaur was confined in a complex branching maze. Despite increasingly elaborate designs, visual representations of the Labyrinth from Roman times through the Renaissance are predominantly unicursal. Branching mazes were reintroduced with the rise in popularity of garden mazes during the Renaissance.

The labyrinth/maze, then, may have served to help one find their mystical path by purposefully removing one from the common understanding of linear time and direction between two points. As one traveled through the labyrinth, one would become increasingly lost in reference to the world outside and, possibly, would unexpectedly discover one’s true path in life.

Labyrinths have appeared in various forms, such as designs on pottery and basketry, body art, and engravings on cave or church walls. The Romans created many decorative labyrinths in tile or mosaic, often large enough to be walked. Historically, labyrinths have been used for both group rituals and personal meditation.

Ancient Labyrinths

Pliny the Elder’s Natural History mentions four ancient labyrinths: the Cretan Labyrinth, an Egyptian Labyrinth, a Labyrinth on Lemnos, and an Italian Labyrinth.

The etymology of the word is linked to the Minoan labrys, “double axe”, the symbol of the Minoan mother goddess of Crete and royal authority, although the actual word is Lydian in origin, and most likely came to Crete from Anatolia through trade.

This connection supports the theory that the labyrinth originally referred to the Minoan royal palace in Crete, translating to “palace of the double-axe.” The term “-inthos” may mean “place,” as seen in names like Corinth. Symbols associated with the double-axe were found in the Minoan palace, often linked with female deities. In classical Greece, priests at Delphi were known as Labryades, or “men of the double axe.”

Greek mythology does not mention a specific deity presiding over the Labyrinth, although the goddess Despoine from Arcadian cults might have been associated with labyrinthine themes.

This figure might have been linked to a cult that influenced later Eleusinian mysteries.

The labyrinth of Knossos – Cretan Labyrinth

Knossos, in Crete, has long been suspected to be the site of the most famous labyrinth in history.

Researchers discovered bull motifs and depictions of a labrys, suggesting connections to the labyrinth. This association with the Minotaur myth has become a popular legend.

It’s the story of Theseus and the Minotaur. This labyrinth was designed by Daedalus for King Minos of Knossos on Crete to contain the ferocious half-man/half-bull known as the Minotaur, born from Queen Pasiphae’s cursed union with a bull.

It was an elaborate structure with winding passages and dead ends intended to confuse and trap the beast. Daedalus engineered the labyrinth so intricately that he himself had difficulty escaping after its completion.

Every year, seven young men & maidens were sent from Athens to Crete and then released into the labyrinth to be eaten by the Minotaur as a tribute.

According to the myth, Theseus, prince of Athens, ventured into the labyrinth with the aid of Ariadne, daughter of King Minos, who provided him with a ball of thread (the “Ariadne’s thread”) to navigate the maze.

Theseus successfully slew the Minotaur and found his way out using the thread, thus freeing Athens from the annual offering.

The Labyrinth of Egypt at Hawara

In Egypt, labyrinthine structures were associated with the complex and cyclical journey of the sun god Ra during the night, symbolizing death and rebirth.

One labyrinth stood near the foot of the Pyramid of Amenemhat the III at Hawara. It may have been a collection of funerary temples such as the ones that are commonly found near Egyptian pyramids.

The first major historian to discuss the labyrinth was the Greek author Herodotus, who, in his Histories, wrote that the structure surpassed the greatness of even the Egyptian Pyramids:

“The Egyptians made a labyrinth which surpasses even the pyramids. We learned through conversation with the Egyptian caretakers about the labyrinth’s underground chambers; they would by no means show them, as they were, they said, the burial vaults of the kings who first built this labyrinth, and of the sacred crocodiles…”

Diodorus Siculus also furthered the claim that the Egyptian labyrinth inspired Daedalus to build the Cretan labyrinth for King Minos.

Pliny the Elder , a Roman author and naturalist, described the structure in his Naturalis Historia, writing:

“There is still in Egypt a labyrinth which was the first constructed, 3,600 years ago. Many assert that it was a building consecrated to the Sun, an opinion which mostly prevails”

It is believed that the labyrinth at Hawara mirrored the afterlife. There were 42 halls throughout the structure which correspond to the Forty-Two Judges who preside over the fate of one’s soul, along with the gods Osiris, Thoth, Anubis, and Ma’at, at the final judgment in the Hall of Truth.

The labyrinth, then, could have been constructed to lead one through a confusing maze – much like the landscape of the afterlife described in the Pyramid Texts, Coffin Texts, and the Egyptian Book of the Dead – to lead one toward an enlightened state.

Following the fall of the Western Roman Empire, the ruins of the labyrinth were quarried for stone and after most of the stones had been carted away, the location of the structure was gradually forgotten.

So great was the site as a source of building materials that a small town grew up around the ruins, by the oasis of Faiyum.

There have been many other labyrinths around the world since ancient times from the structure built in Italy as part of the tomb of an Etruscan king, to those of an island in modern-day Russia.

Labyrinths were once part of the mortuary rituals of Britain, Ireland, and Scotland. They constantly reappear in different forms at different stages in the evolution of Celtic culture and some of them are earlier than the Minoan labyrinths.

The labyrinth as an idea is closely related to the knot: the line that winds all around a design. The difference is that, in a knotwork design, the line has no beginning and no end while, in a labyrinth, there is usually a starting point and a goal.

Both symbolize journeys. This might be a particular adventure or the overall unfolding of life itself. Labyrinths therefore form a visual counterpart to the epic folk-tale which often consists of a long and convoluted journey with episodes that repeat and double back on themselves.

A journey to the center of the self and out again and, in this way, the ancient symbol emerges as a tool for self-exploration and healing.

The Indian mandala is a geometric configuration of symbols and may reflect the labyrinth’s intricate paths, symbolizing the wholeness and unity of the universe.

It can be used to establish a sacred space and as an aid to meditation and trance induction.

A mandala called yantra takes the form of a square with four gates containing a circle with a center point.

A mandala can also represent the entire universe, which is traditionally depicted with Mount Meru as the axis mundi in the center, surrounded by the continents.

Mandalas often have radial balance, meaning they look the same after some rotation by a partial turn.

In the Rigveda, the various books progress along the same lines as a labyrinth, where one travels a mystical path alone to eventually merge one’s inner journey with the outer world.

In medieval Christian culture, labyrinths were integrated into the floors of cathedrals such as Chartres in France, serving as a metaphorical pilgrimage for believers. It was built between 1215 and 1221, making it the largest church labyrinth ever constructed during the Middle Ages.

The labyrinth also embodies a multitude of symbolic meanings that resonate deeply with the human experience:

Journey and Transformation: At its core, the labyrinth represents a journey of self-discovery and transformation. The act of navigating its twists and turns mirrors life’s complexities, challenges, and the search for meaning. Each step taken within the labyrinth symbolizes progress, introspection, and personal growth.

Unity of Paths: Unlike a maze, which is designed to confuse and challenge, the labyrinth has a single, non-branching path that leads to the center and back out again. This symbolizes the unity of all paths and the interconnectedness of life’s journey.

It teaches that despite different routes and experiences, there is a destination and purpose.

Cycles of Life: The labyrinth’s circular or spiral design mirrors the cyclical nature of life, death, and rebirth. It represents the eternal journey of birth, growth, death and renewal found in nature, seasons, and the cosmos. In this way, the labyrinth becomes a symbol of continuity and the eternal rhythm of existence.

Mystical Pilgrimage: Many cultures incorporate labyrinths into personal practices as a form of meditation and pilgrimage. Walking the labyrinth path becomes a metaphorical journey towards enlightenment, wisdom and divine union. The process encourages mindfulness, reflection and communion with the sacred.

Psychological Exploration: The labyrinth can be seen as the representation of the mind and the process of integrating one’s conscious and unconscious aspects to achieve psychological wholeness.

Therapeutic Practices: Labyrinths are increasingly used in therapeutic settings as tools for stress reduction, meditation, and reflection. Walking the labyrinth path fosters mindfulness, relaxation, and emotional healing, providing individuals with a tangible way to explore their inner landscapes.

Personal Change: The labyrinth in the Greek myth serves as the vehicle for Theseus’ transformation from a youth to a king. He must enter a maze no one knows how to navigate, slay a monster, and return to the world he knows. The labyrinth presented him with the opportunity to change and grow but, like many people, Theseus resisted that opportunity until change was forced upon him.

Occult Significance: Prehistoric labyrinths likely served as traps for evil spirits or paths for ritual dances. In medieval times, the labyrinth symbolized a mystical journey with a defined center (representing God) and a single entrance (symbolizing birth).

The labyrinth, with its rich tapestry of myths and profound symbolism, continues to captivate and inspire humanity.

Its enduring presence across cultures underscores its universal appeal and relevance, offering us a timeless symbol to navigate the complexities of existence and discover deeper truths within ourselves and the world around us.

In unraveling the myths and symbolism of the labyrinth, we unravel not just a physical maze but a symbolic journey that speaks to the essence of what it means to be human—a journey of discovery, transformation, and the eternal quest for meaning.

What do you think about the Labyrinth, its myths and symbolism? Let us know in the comment section and share the post!!!


Video version here:

The Labyrinth – Myths and Symbolism


Interesting sources, additional info, images, credits, attributions and other points of views here:

https://en.wikipedia.org/wiki/Minotaur

https://www.ashmolean.org/article/myths-of-the-labyrinth

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Hermann Kern, Through the Labyrinth, ed. Robert Ferré and Jeff Saward, Prestel, 2000, ISBN 3-7913-2144-7. (This is an English translation of Kern’s original German monograph Labyrinthe published by Prestel in 1982.)

Lauren Artress, Walking a Sacred Path: Rediscovering the Labyrinth as a Spiritual Practice, Penguin Books, 1995, ISBN 1-57322-007-8.

Lauren Artress, The Sacred Path Companion: A Guide to Walking the Labyrinth to Heal and Transform, Penguin Books, 2006, ISBN 1-59448-182-2.

Doob, Penelope Reed (1992). The Idea of the Labyrinth: from Classical Antiquity through the Middle Ages. Ithaca: Cornell University Press. ISBN 0-80142-393-7.

Herodotus, The Histories, Newly translated and with an introduction by Aubrey de Sélincourt, Harmondsworth, England, Penguin Books, 1965.

Karl Kerenyi, Dionysos: Archetypal Image of Indestructible Life, Princeton University Press, 1976.

Helmut Jaskolski, The Labyrinth: Symbol of Fear, Rebirth and Liberation, Shambala, 1997.

Adrian Fisher & Georg Gerster, The Art of the Maze, Weidenfeld & Nicolson, 1990. ISBN 0-297-83027-9.

Jeff Saward, Labyrinths and Mazes, Gaia Books Ltd, 2003, ISBN 1-85675-183-X.

Jeff Saward, Magical Paths, Mitchell Beazley, 2002, ISBN1-84000-573-4.

W. H. Matthews, Mazes and Labyrinths: Their History and Development, Longmans, Green & Co., 1922. Includes bibliography. Dover Publications reprint, 1970, ISBN 0-486-22614-X.

Andrew Stewart, One Hundred Greek Sculptors: Their Careers and Extant Works.

Henning Eichberg, “Racing in the labyrinth? About some inner contradictions of running.” In: Athletics, Society & Identity. Imeros, Journal for Culture and Technology, 5 (2005): 1. Athen: Foundation of the Hellenic World, 169–192.

Edward Hays, The Lenten Labyrinth: Daily Reflections for the Journey of Lent, Forest of Peace Publishing, 1994.

Carl Schuster and Edmund Carpenter, Patterns that Connect: Social Symbolism in Ancient & Tribal Art, Harry N. Abrams, NY, 1996.

Ettore Selli, Labirinti Vegetali, la guida completa alle architetture verdi dei cinque continenti, Ed. Pendragon, 2020; ISBN 9788833642222

Bulfinch,T. Bullfinch’s Mythology. The Modern Library, 2010.

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Michailidou, A. Knossos – A Complete Guide to the Palace of Minos. Ekdotike Athenon, 2004.

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Symbolic and Occult meanings of Horns

Symbolic and Occult meanings of Horns

Exploring the symbolic and occult meanings of horns involves delving into various cultural, historical, and mythological contexts where they have played significant roles. This essay will examine how horns have been perceived across different civilizations, their symbolic representations, and their deeper, occult meanings in various belief systems and mythologies.

Beyond their biological function, horns have been imbued with symbolic meanings that transcend the natural world. Across cultures, horns have been associated with power, fertility, divinity, and protection. In occult traditions, they hold esoteric significance, often linking the earthly with the unearthly realms.

Horns are an animal’s weapon, so it follows that as a symbol they function as representing this aspect. They are also the power and dignity of the divinity, and horned gods usually represent warriors and lords of animals.

Horns can have both positive and negative symbolic meanings. They can represent:

  • Strength and aggressiveness, as an animal’s weapon.
  • Divinity: In many cultures, powerful deities or divine beings are depicted with horns to emphasize their authority over earthly matters and spiritual realms. The size and shape of horns can imply the magnitude of their power.
  • Salvation and immortality: Horns are durable, so they can represent redemption and eternal life.
  • Protection and asylum: Deities or beings depicted with horns may symbolize guardianship and protection. They are seen as defenders who offer sanctuary and safeguard individuals or communities from harm.
  • Madness and rage: Horns are often associated with violence, especially from a charging animal.
  • Masculine representation: Horns can be a phallic symbol.
  • Beauty, strength, and wisdom: Horns can be considered beautiful due to their graceful curves and intricate shapes. They are often associated with animals renowned for their physical strength and endurance. They may also represent an elevated consciousness or a connection to higher realms of understanding, emphasizing wisdom gained through introspection and divine revelation.
  • Death and unordered passions: Horned beings may be guardians or guides of the underworld, where they oversee the transition of souls or judge the deceased. Horns are often linked to animals known for their wild and untamed nature, such as bulls or rams.
  • Victory: The raised horn is a common biblical symbol, especially of being rescued from oppression.
  • In ancient Mesopotamia, Egypt, and Greece, horns were symbols of gods and goddesses. The Mesopotamian bull-man Enkidu. The Egyptian goddess Hathor, who was depicted with horns, symbolizing her nurturing and protective aspects.

In Judeo-Christian traditions, horns take on many meanings.

Keren is a Hebrew word whose primary meaning is horn. It’s sometimes used to refer to the shofar, an instrument made from a ram’s horn used ceremonially in Jewish rituals, symbolizing mystical awakening and repentance. It also refers to the legal category of damage inflicted by an animal’s horn.

  • Keren also means “ray, or something projected from a point.”
  • An additional meaning of Keren is “fund or capital.”
  • For the meaning “fund”, some scholars provide this etymology to be borrowed from Akkadian qerenu (heap, stack or threshing floor.)

Keren as horn derives from the Hebrew haruv. The Greeks had a word for carob – keration, literally meaning “little horn”, from keras, horn. This eventually led to the English word carat and modern Italian corna.

In Italy, when confronted with unfortunate events, or simply when these events are mentioned, the sign of the horns may be given to ward off further bad luck. It is also used traditionally to ward off the “evil eye” (malocchio).

Horns are also associated with the devil in Christian iconography, portraying evil and temptation.

When the Israelites started worshipping idols in the shape of bulls, their religious authority condemned these acts as they believed that there was only one true god. Hence horns started to represent something shunned upon or evil.

In Islam, Dhu al-Qarnayn, “The Two-Horned One”, appears in the Qur’an as one who travels to the east and west and sets up a barrier between a certain people and Gog and Magog.

The Arabian word qarn means both “horn” and “period” or “century”.

Dhu al-Qarnayn has mostly been identified by Western and traditional Muslim scholars as Alexander the Great, others have argued in favour of him being actually Cyrus the Great, the founder of the Achaemenid Empire and conqueror of Persia and Babylon.

In Hinduism, the horned god Shiva is both a destroyer and a creator, embodying cosmic balance.

In Hatha Yoga, a hand gesture similar to horns is known as Apana Mudra, and it’s believed to rejuvenate the body. In Indian classical dance forms, it symbolizes the lion. In Ayurveda they use deer horns as medicine.

In Buddhism, the Karana Mudrā is seen as a gesture to expel demons, remove negative energy, and ward off evil. It is commonly found on depictions of Gautama Buddha. Tibetan Buddhism features wrathful deities adorned with skulls and horns, signifying their fierce protective powers.

Horns are also found on the Song dynasty statue of Laozi, the founder of Taoism in China. In Chinese culture, ox horns symbolize strength and resilience.

It’s interesting to note the similar etymology and sound of horn, keren, qerenu, keras, corna, qarn, karana…it’s a piece of the puzzle to support the theory of an ancient worldwide body of knowledge and connection.

Symbolic Meanings of Horns

Power and Authority

Horns often symbolize power and authority. In ancient times, rulers wore horned crowns or helmets to signify their leadership and divine right to rule. This symbolism persists in modern contexts, where horns denote strength and dominance.

Fertility and Vitality

Throughout history, horns have been linked to fertility and vitality due to their association with animals like bulls and goats. In agricultural societies, horned gods and goddesses were revered for their ability to ensure abundant harvests and animal fertility.

Protection and Defense

Horns are also symbols of protection and defense. In many cultures, amulets and talismans featuring horn motifs were believed to ward off evil spirits and provide protection. Horned animals like the bull were seen as guardians of their herds.

Transformation and Spirituality

In occult traditions, horns represent transformation and awakening. The Horned God archetype, found in various pagan traditions, symbolizes the cycles of life, death, and rebirth. Horned deities are often associated with the wilderness and the untamed aspects of nature.

Occult Meanings of Horns

Esoteric Symbolism

In occultism, horns have esoteric meanings related to enlightenment and occult knowledge. They symbolize the ability to transcend earthly limitations and connect with higher realms of consciousness.

Ritualistic Uses

Horns are used in occult practices to invoke unearthly forces and entities. Horned masks and headdresses are worn in ceremonial rituals to channel specific energies or deities and embrace the darker aspects of human nature to undergo a metamorphosis through rituals.

Alchemical Symbolism

In alchemy, horns symbolize the process of transformation and purification. The horned symbol represents the union of opposites and the synthesis of mystical and material elements. Alchemists sought to achieve enlightenment and immortality also through the symbolic transformation represented by horns.

Mythological meaning of Horns

The unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiraling horn projecting from its forehead.

The horn itself and the substance it was made of was called alicorn, and it was believed that the horn held magical and medicinal properties.

Dark meanings of Horns

The symbolism of horns also encompasses darker and more obscure meanings, often delving into themes of rebellion, forbidden knowledge, and the primal instincts of humanity. These interpretations are found in various occult traditions and mythologies where horns are associated with entities and deities considered malevolent or adversary.

Rebellion and Non-Conformity

In occult and esoteric contexts, horns can symbolize rebellion against established norms and authority. Entities or beings depicted with horns, such as demons or rebellious gods, embody a defiance of conventional rules and structures. They represent a primal, untamed aspect of human nature that seeks to challenge and transcend limitations.

The horned god archetype, such as Pan or Cernunnos in pagan traditions, is often depicted as a mediator between the human and supernatural worlds, offering knowledge that challenges conventional understanding.

Malevolence and Darkness

Horned creatures like the Krampus in Alpine folklore or various demonic beings in mythologies are feared symbols of darkness and chaos.

Primal Instincts and Wild Nature

Animals with horns are often associated with raw power, aggression, and sexual potency. In occultism, this primal energy can be harnessed for both creative and destructive purposes, reflecting the dualistic nature of horns as symbols of both life-giving fertility and dangerous aggression.

Radiant meanings of Horns

While horns can indeed carry darker and more ambiguous meanings in certain contexts, they also hold positive and benevolent symbolism across various cultures. These interpretations often highlight qualities such as strength, protection, fertility, and mystical connection.

Strength and Power

Some of the most prominent positive symbolic meanings of horns are strength and power. In many cultures, horns symbolize the strength to overcome challenges and obstacles.

Protection and Defense

In ancient times, horns adorned helmets and shields, symbolizing the defensive capabilities of warriors. Amulets and talismans featuring horn motifs were believed to ward off evil entities and provide protection to the wearer.

Fertility and Abundance

In agricultural societies, horns are symbols of fertility and abundance. Horned gods and goddesses were invoked to bless fields and ensure prosperity in fertility rituals and ceremonies.

Connection to Nature and the Divine

Horns are often seen as symbols of a connection to nature and the divine. Animals with horns are viewed as intermediaries between the earthly and unearthly realms, embodying the raw forces of nature and the wisdom of the natural world.

Positive Masculine Energy

The strength, protection, and vitality associated with horned animals and deities are often seen as embodiments of positive masculine attributes such as courage, resilience, and leadership.

Are there any hidden meanings in the symbolism of horns?

The symbolism of horns often carries hidden or deeper meanings that go beyond their more obvious interpretations.

Dualistic Nature

One hidden meaning of horn symbolism is its dualistic nature. Horns can simultaneously represent both positive and negative qualities, such as strength and aggression, protection and danger, fertility and untamed instincts. This duality reflects the complex and contradictory aspects of human nature and the universe itself, emphasizing the interconnectedness of opposites.

Gateway to Other Realms

In occult and mystical traditions, horns are sometimes seen as symbolic gateways or portals to other realms of existence. Horned deities and higher beings are believed to possess the ability to traverse between the physical world and other dimensions, acting as intermediaries or guides for those seeking deeper mystical knowledge and experiences.

Integration of Mystical and Physical Energies

In esoteric practices, horns represent the union of divine and earthly forces, embodying the harmonious balance between enlightenment and material existence.

Transformation and Evolution

Horns symbolize transformation and evolution, both on a personal and cosmic level. They represent the cyclical nature of life, death, and rebirth, as well as the continuous process of enlightenment. Horned deities and mythological figures often undergo symbolic transformations, symbolizing the evolution of consciousness and the pursuit of higher wisdom.

Hidden Knowledge and Mysteries

Horns can be symbols of hidden knowledge and mysteries that lie beyond ordinary perception. In occult traditions, horned symbols are associated with esoteric teachings, arcane wisdom, and secret societies that seek to uncover deeper truths about existence and the universe.

The symbolic and occult meanings of horns underscore their enduring significance in human culture, reflecting universal themes of power, fertility, protection, and transcendence. As humanity continues to evolve, so too will the interpretations and applications of horn symbolism, resonating across time and cultures as a testament to our collective quest for meaning and connection to the divine.

What do you think about the Symbolism and Meanings of Horns? Let us know in the comment section and share the post!!!


Video version here:

Symbolic and Occult meanings of Horns


Interesting sources, additional info, images, credits, attributions and other points of views here:

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The Secret Meaning of Doors

The Secret Meaning of Doors

“Every exit is an entry somewhere else” Tom Stoppard

If you take a minute to really ponder this quote, does not it seem like the next door or gate you pass through should be done so with the utmost awareness? What are you really passing into, or exiting out of?

On a mundane level, we think it appears to be from the patio into the house: the bathroom into the living room: the bus stop into the bus –

But, what if it is something more? Magic portals to other worlds? Mystical gateways into unknown and forbidden realms? Perhaps entrances to hidden dimensions? Or conduits into forgotten lands?

Or the beginning of a new chapter or adventure in life, in which there are no guarantees, only uncertainty.

A door is the entrance into a car, an airplane or a boat – all means of transportation that can take you to far away places.

A door is also figuratively used when traversing different mental states, for example, when we talk about the “door to enlightenment”.

So there’s a certain curiosity of the idea of crossing into other territories, zones or places on a physical, spiritual, mental, emotional or even multidimensional plane.

The symbolic significance of doors spans various spiritual, esoteric, magical, and alchemical traditions, each imbuing them with distinct meanings and interpretations.

In this brief video, we are going to have a look at some of these different meanings from various traditions.

And if you stay tuned to the end, we have a special excerpt on how you can bring the magical essence of the door into your own living space!

Spiritual Meaning: Doors often symbolize transitions, passages, and opportunities for growth or transformation in spiritual contexts. They represent the threshold between the material and spiritual worlds, as well as the entrance to higher consciousness or enlightenment. In a spiritual sense, doors have long captivated us as we transition from birth, to death and to birth again, as revealed in texts discussing reincarnation.

The Tibetan Buddhist tradition speaks of the “Bardo Thodol,” commonly known as the Tibetan Book of the Dead, which describes the journey of the soul through various bardos (intermediate states between lives) after death, with each bardo represented as a different door leading to rebirth or enlightenment. Chikhai Bardo (Moment of Death) , Chonyid Bardo (State of Reality and Sidpa Bardo (Becoming or Rebirth) as well as “life” (the state of waking consciousness) “dyana” (meditation) and “dream” (the dream state during normal sleep)

In Hinduism, the concept of dharma (duty or righteousness) is often depicted as a doorway to spiritual liberation (moksha). Moksha, of course, being attainable by following a set yogic path such as jnana, bhakti or raja yoga. Where there is a path, there must be a doorway, or an exit and entry point into that path, thus the reference to “door” or “doorway”

As well, Mystical poetry, such as the works of Rumi or Hafiz, often employs door imagery to convey the idea of seeking divine union or spiritual awakening. In Rumi’s poetry, the “door of the heart” symbolizes the pathway to experiencing the presence of the divine.

    We also notice references specifically to doors in many spiritual texts

    “I am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture.”

    As well, In the Bhagavad Gita, Chapter 14, Verse 11 we read:

      “Sarva-dvāreṣu dehe ‘smin prakāśa upajāyate jñānaṁ yadā tadā vidyād vivṛddhaṁ sattvam ity uta”

      Translation:

      “When the light of knowledge shines through all the gates (doors) of the body, then it should be known that goodness (sattva) is increasing.”

      In this verse, “sarva-dvāreṣu” translates to “through all the gates (doors),” metaphorically referring to the senses or openings of the body through which knowledge and awareness can manifest, indicating the presence of sattva (goodness).

      Esoteric Interpretation: In esoteric traditions, doors may signify portals to hidden knowledge, mysteries, or realms beyond ordinary perception. Often times, they can represent initiation into secret teachings, with each door leading to deeper levels of understanding or enlightenment.

      In the Jewish mystical tradition of Kabbalah The Kabbalistic Tree of Life is a fundamental symbol using metaphorical doors. It represents the structure of the universe and the path to spiritual enlightenment. The Tree consists of ten sefirot (sfere’rote) (singular: sefirah), which are emanations or attributes of God, and 22 paths connecting them. Each movement from one sefirah to another can be seen as passing through a door. The doors represents a shift in understanding and a new phase in the spiritual journey. Each door represents a step towards achieving higher spiritual insight and unity with the divine. The doors symbolize transitions between different states of being, levels of consciousness, and phases of spiritual understanding.

      Freemasonry, a fraternal organization with esoteric roots, uses door symbolism extensively in its rituals and symbolism. The Masonic initiation ceremony involves candidates passing through three symbolic doors, which represent stages of moral and intellectual development. These doors are “the door of the entered apprentice, or first degree”, the Door of the fellow craft, or second degree, and the Door of the Master Mason, or third degree. Each door symbolizes the progressive journey of a Mason from ignorance to enlightenment, from basic moral teachings to profound spiritual understanding and each marks a significant milestone in the Mason’s path

      Esoteric Literature: There are many esoterists that explore the symbolism of doors within the context of psychology, mysticism, and ancient wisdom traditions. For example, Carl Jung frequently uses the imagery of doors to represent entry points into different layers of the psyche. In “The Red Book” (Liber Novus) he writes: “I saw a high wall and a small door, which was open and led into a garden. I went in, and the inner garden filled me with an incomparable feeling of bliss, more complete and more perfect than I had ever experienced in the outer world.”

        Here, the door symbolizes a passage into a deeper, more serene part of the self, an entry into the soul’s garden.

        Manly P. Hall, another prominent esoteric scholar, frequently discusses doors as symbols of initiation and transformation.

          “Initiation is a door opening on a more real and more complete life. Through it we enter into the spirit of things instead of merely into their outward forms.”

          This passage illustrates the idea of initiation as a door to deeper, spiritual realities beyond the superficial appearances of the material world.

          Helena Blavatsky, co-founder of the Theosophical Society, uses the door metaphor to describe the pursuit of esoteric knowledge.

            “There is a road, steep and thorny, beset with perils of every kind, but yet a road; and it leads to the very heart of the Universe. I can tell you how to find those who will show you the secret gateway that opens inward only and closes fast behind the neophyte forevermore.”

            Here, the “secret gateway” represents the inner path to esoteric wisdom, a one-way door that marks a permanent transformation in the seeker.

            Magical Symbolism: Within magical practices, doors hold the power to open pathways to unseen forces, realms, or dimensions. They may serve as gateways for ritual invocation, protection, or manifestation, with specific rituals and symbols used to unlock their magical potential.

            Magical traditions often use doors as focal points for ritual work and spellcasting. For instance, in Wicca, the “rites of passage” ritual is done for initiating new members into Wicca and in some wiccan traditions, initiates pass through a symbolic door or archway during their initiation ritual, symbolizing their transition from novice to initiate. . Another way doors are symbolically used in Wicca is through a ritual of casting the circle – a sacred circle is cast using an athame (a-tham -ay) to create a protected space. The entrance to this circle can be envisioned as a door or gateway which is often symbolically closed to protect against unwanted energies and opened to invite in the elements, deities, or spirits. The High Priestess or High Priest might “cut” a doorway in the circle to allow participants to enter or exit without breaking the circle’s integrity.

            Astral projection in occult practices involves visualization techniques where the practitioners see themselves with a doorway in front of them, sometimes turning a key to open the door, or pushing a door open and then stepping through the door into the astral plane, where they can explore other dimensions or different planes of existence.In esoteric and magical traditions, talismans are objects imbued with specific energies or intentions, often used for protection, attracting certain influences, or as tools for spiritual work.

            When talismans are used with doors or gateways, they serve as focal points or keys that facilitate transitions between different states of consciousness, realms, or spiritual conditions. This may involve inscribing symbols or sigils on doors or doorways to attract specific energies or entities, or hanging something on or around the door for luck or protection, such as a wreath or a horseshoe, which will harness the door’s symbolic potency as a conduit between the physical and spiritual realms.

            There are plenty of Magical texts, or grimoires, that refer symbolically to doors, one being the“Lesser Key of Solomon,” also known as “Lemegeton (le-meh-gah-ton),” is a famous grimoire of demonology, divided into five books: Ars Goetia, Ars Theurgia-Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. The text is primarily focused on the summoning and control of spirits and demons. While doors are not a central theme, they appear symbolically and practically in the context of summoning rituals, representing the thresholds between the physical and spiritual realms and keeping at bay spirits of the underworld. Many protective barriers, seals or sacred spaces can be symbolically seen as a door – a passage from our world to theirs.

            The Book of Abramelin is another magical texts where the use of doors can be symbolically seen. A significant aspect of the practices described in this text involve preparing a sacred space or temple where the magician will perform the rituals. This space acts as a spiritual gateway or door to higher realms and the divine.

            Alchemical Significance:

            Hermeticism, a spiritual and philosophical tradition rooted in the writings attributed to Hermes Trismegistus, uses doors as powerful symbols representing transitions, thresholds, and gateways to higher knowledge and spiritual enlightenment. For example, the Hermetic principle of “Mentalism,” which states “The All is Mind; the Universe is Mental,” the door of the mind is essential. Practitioners are taught to open this door through meditation, contemplation, and mental discipline, allowing them to access higher truths and the universal mind. Another example is The Hermetic axiom “As above, so below; as below, so above” speaks to the transformative process. The door of transformation is both a literal and figurative threshold that the alchemist must pass through to achieve the Great Work (Magnum Opus), the journey of transformation, and the passage to higher knowledge and spiritual enlightenment, or self-realization.

              These symbolic doors represent both literal and metaphorical thresholds that must be crossed to achieve the Philosopher’s Stone, the Elixir of Life, or other significant alchemical goals.

              One famous alchemical text that specifically refers to doors is The Chemical Wedding of Christian Rosenkreutz – a seminal work in Rosicrucian literature. This esoteric text is rich with symbolic imagery, including numerous references to doors that represent stages of initiation, transformation, and spiritual awakening. The story, divided into Seven Days or Seven Journeys similar to Genesis, narrates how Christian Rosenkreuz received an invitation to a marvelous castle filled with wonders, to attend the Chymical (alchemical) Wedding of the king and queen, symbolizing the union of the husband and bride. Every day, or journey, makes reference to a door.

              ”It was an exceeding Royal, beautiful Portal, whereon were carved a multitude of most noble figures and devices, every one of which (as I afterwards learned) had it peculiar signification. Above was fixed a pretty large
              Tablet, with these words, “Procul hinc procul ite profani,” and more that I was forbidden to relate.” 

              And approaching the castle – “I departed from the first porter, and so went on the way, until I came to the second gate, which was adorned with images and mystick significations. In the affixed Tablet stood—Date et dabitur vobis.

              One more while Entering the labyrinth: “We came at length to a little door, which one of the maids opened, and so we came finally into the Garden of the Castle.” Or the garden entrance: “At length we came to a great pair of stone gates, which opened of themselves, and so let us into a large courtyard.”

                And so now that we’ve discussed something about the spiritual, esoteric, magical and alchemical traditions, what about the presence of real, physical doors in your own home? Why is it important to be conscious or mindful of the doors around us?

                There are two sciences: Vastu Shasta and Feng Shui – that reveal a lot about how to organize your home, office space, or any space, into a way that will optimize health and energy levels, productivity and overall influence the flow of energy (prana or chi) within a that space, affecting the well-being and harmony of its occupants. . Let’s have a brief look and see what these two sciences say specifically about doors.

                Feng Shui:

                In Feng Shui, doors are considered the mouth through which energy enters a home or building. The orientation, location, and condition of the door are crucial factors in determining the quality of energy flow and its impact on the inhabitants. Some key principles regarding doors in Feng Shui include:

                Door Orientation: Different directions are associated with specific elements and energies, and the orientation of the door should ideally align with the occupants’ favorable directions based on their Kua number (a personal Feng Shui energy number).

                Main Door Placement: The main entrance door, often referred to as the “mouth of chi,” should be well-maintained, attractive, and easy to find. It’s recommended to avoid doors that directly face sharp objects, such as a staircase, as this may create negative energy.

                Door Size and Proportions: The size of the door should be proportionate to the size of the building and should not be too small or too large relative to the structure. Ideally, the door should open fully without obstruction to allow positive energy to flow freely into the space.

                Door Color and Design: The color and design of the door should complement the overall aesthetics of the building and reflect positive energy. Red is a popular color for front doors in Feng Shui as it symbolizes prosperity and good fortune, but other auspicious colors based on the occupants’ personal energies can also be chosen.

                  Vastu Shastra:

                  In Vastu Shastra, the ancient Indian science of architecture and design, doors are similarly regarded as important channels for the flow of energy into a space. The placement, direction, and design of doors are believed to influence the overall energy balance and harmony within a building. Some key considerations regarding doors in Vastu Shastra include:

                  Main Door Direction: Similar to Feng Shui, the direction in which the main entrance door faces is significant in Vastu Shastra. The ideal direction for the main door varies based on the building’s orientation and the occupants’ astrological factors, but it generally aligns with one of the cardinal directions.

                  Threshold Placement: The threshold of the door, known as the “varamukha,” should be kept clean and free from obstacles to allow positive energy to enter the home smoothly. It’s considered inauspicious to have a threshold that is broken or uneven, as this may obstruct the flow of energy.

                  Door Design and Material: Traditional Vastu Shastra recommends using natural materials such as wood for doors, as they are believed to have a positive energy resonance. The design of the door should be aesthetically pleasing and in harmony with the overall architectural style of the building.

                  Decorative Elements: Decorative motifs and symbols are often incorporated into door designs in Vastu Shastra to enhance positive energy flow and auspiciousness. These may include auspicious symbols like the Om symbol, Swastika, or images of deities associated with prosperity and protection.

                    Both Feng Shui and Vastu Shastra emphasize the importance of doors as conduits for energy flow and advocate for their careful placement, design, and maintenance to promote harmony, prosperity, and well-being within a space.

                    To conclude, the origins of the esoteric and hidden meaning of doors, can be traced back to ancient civilizations and mystery schools, where symbolic language and allegory were used to convey spiritual truths and philosophical concepts. These meanings were passed down through oral tradition, mystical teachings, and sacred texts, evolving over time as they were integrated into various spiritual, esoteric, magical, and alchemical traditions.

                    As well, we see that ancient cultures must have had some mystical knowledge regarding doors, to know that even today specific elements regarding the door are held in high esteem, guaranteeing peace, prosperity and happiness in one’s abode.

                    These examples illustrate how doors serve as potent symbols across various traditions, embodying themes of transition, transformation, and transcendence.

                    So, What do you think about doors? Would you walk through an unknown door? If you were walking in the woods and came across a magical door, would you enter? Let us know in the comments below and share the post!


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                    The Secret Meaning of Doors

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                    12 Best Stoic quotes by Marcus Aurelius – Stoicism for Modern Times

                    12 Best Stoic quotes by Marcus Aurelius - Stoicism for Modern Times

                    Marcus Aurelius, the Roman Emperor and Stoic philosopher, left behind a wealth of wisdom in his “Meditations,” a series of personal reflections and philosophical musings. Here are some of his best quotes:

                    1. “Waste no more time arguing about what a good man should be. Be one.”

                    This quote emphasizes the importance of action and personal virtue over mere theoretical debate. Marcus Aurelius suggests that rather than debating abstract concepts of goodness, individuals should focus on embodying virtuous qualities in their actions and behaviors.

                    2.“You have power over your mind — not outside events. Realize this, and you will find strength.”

                    This quote highlights the Stoic idea of the dichotomy of control. Marcus Aurelius reminds us that while external events may be beyond our control, we have the power to control our thoughts, attitudes, and responses to these events. By recognizing this, we can find inner strength and resilience.

                    3. “The happiness of your life depends upon the quality of your thoughts.”

                    Marcus Aurelius emphasizes the significance of our thoughts in shaping our happiness and well-being. He suggests that cultivating positive and constructive thoughts leads to a happier life, while negative or harmful thoughts can detract from our overall happiness.

                    4. “When you arise in the morning, think of what a precious privilege it is to be alive — to breathe, to think, to enjoy, to love.”

                    This quote encourages gratitude and mindfulness. Marcus Aurelius urges us to appreciate the simple yet profound joys of existence, such as the ability to breathe, think, experience joy, and love others.

                    5. “Very little is needed to make a happy life; it is all within yourself, in your way of thinking.”

                    Here, Marcus Aurelius emphasizes the internal nature of happiness. He suggests that true happiness comes from within and is not dependent on external circumstances or possessions. Cultivating a positive and virtuous mindset is key to leading a happy life.

                    6. “The best revenge is to be unlike him who performed the injury.”

                    This quote advocates for responding to wrongdoing with integrity and virtue rather than seeking revenge. Marcus Aurelius suggests that the most effective way to respond to harm or injustice is to rise above it and embody qualities that contrast with the negative actions of others.

                    7. “The soul becomes dyed with the color of its thoughts.”

                    Marcus Aurelius metaphorically portrays the influence of our thoughts on our character and inner self. He suggests that our thoughts shape our soul and moral character, highlighting the importance of cultivating virtuous and noble thoughts.

                    8. “The impediment to action advances action. What stands in the way becomes the way.”

                    This quote reflects the Stoic idea of transforming obstacles into opportunities. Marcus Aurelius teaches that challenges and obstacles are not to be avoided but embraced as opportunities for growth and progress. Adversity can serve as a catalyst for action and personal development.

                    9. “Accept the things to which fate binds you, and love the people with whom fate brings you together, but do so with all your heart.”

                    Marcus Aurelius encourages acceptance of fate and embracing the people and circumstances that come into our lives. He advises approaching life with wholehearted acceptance and love, even in the face of adversity or hardship.

                    10. “Our life is what our thoughts make it.”

                    This quote reinforces the Stoic belief in the power of thought to shape our experiences and perceptions of life. Marcus Aurelius suggests that our thoughts ultimately determine the quality and meaning of our lives, highlighting the importance of cultivating positive and virtuous thoughts.

                    11. “Begin each day by telling yourself: Today I shall be meeting with interference, ingratitude, insolence, disloyalty, ill-will, and selfishness.”

                    This quote emphasizes the Stoic practice of negative visualization and mental preparedness. Marcus Aurelius advises acknowledging the potential challenges and difficulties that may arise each day, allowing us to approach them with resilience and equanimity.

                    12. “If it is not right, do not do it. If it is not true, do not say it.”

                    This quote underscores the importance of integrity and ethical conduct. Marcus Aurelius advises acting in accordance with what is morally right and speaking truthfully. He emphasizes the importance of aligning our actions and words with our principles and values.

                    These quotes reflect Marcus Aurelius’s Stoic philosophy, emphasizing principles such as acceptance of fate, the power of thought, and the importance of virtue in leading a meaningful and fulfilling life.

                    And you, what do you think about these quotes and Stoic philosophy by Marcus Aurelius?

                    Let us know in the comments below and share the post!!!


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                    12 Best Stoic quotes by Marcus Aurelius – Stoicism for Modern Times


                    Interesting sources, additional info, images, credits, attributions and other points of views here:

                    https://pixabay.com/illustrations/ai-generated-statue-sculpture-8474179/

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